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Morta Las Vegas : CSI and the Problem of the West /

Through all its transformations and reinventions over the past century, "Sin City" has consistently been regarded by artists and cultural critics as expressing in purest form, for better or worse, an aesthetic and social order spawned by neon signs and institutionalized indulgence. In othe...

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Detalles Bibliográficos
Autores principales: Lewis, Nathaniel, 1962- (Autor), Tatum, Stephen, 1949- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : University of Nebraska Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781496204271 
020 |z 9780803299931 
035 |a (OCoLC)1014380807 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Lewis, Nathaniel,  |d 1962-  |e author. 
245 1 0 |a Morta Las Vegas :   |b CSI and the Problem of the West /   |c Nathaniel Lewis and Stephen Tatum. 
264 1 |a London :  |b University of Nebraska Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©[2017] 
300 |a 1 online resource (324 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Postwestern horizons 
505 0 |a Cover; Title Page; Copyright Page; Contents; List of Illustrations; Acknowledgments; Introduction; 1. The Problem of the Past; 2. The Problem of Space and Place; 3. The Problem of Aesthetics; 4. The Problem of the [Uncanny] West; Conclusion; Just Another Day in Paradise -- Source Acknowledgments; Notes; Bibliography; Index. 
520 |a Through all its transformations and reinventions over the past century, "Sin City" has consistently been regarded by artists and cultural critics as expressing in purest form, for better or worse, an aesthetic and social order spawned by neon signs and institutionalized indulgence. In other words, Las Vegas provides a codex with which to confront the problems of the West and to track the people, materials, ideas, and virtual images that constitute postregional space. Morta Las Vegas considers Las Vegas and the problem of regional identity in the American West through a case study of a single episode of the television crime drama CSI: Crime Scene Investigation. Delving deep into the interwoven events of the episode titled "4 x 4," but resisting a linear, logical case-study approach, the authors draw connections between the city--a layered and complex world--and the violent, uncanny mysteries of a crime scene. Morta Las Vegas reveals nuanced issues characterizing the emergence of a postregional West, moving back and forth between a geographical and a procedural site and into a place both in between and beyond Western identity 
588 |a Description based on print version record. 
630 0 7 |a CSI, crime scene investigation (Television program)  |2 fast  |0 (OCoLC)fst01398934 
630 0 0 |a CSI, crime scene investigation (Television program) 
650 7 |a Television cop shows.  |2 fast  |0 (OCoLC)fst01715702 
650 7 |a PERFORMING ARTS  |x Television  |x History & Criticism.  |2 bisacsh 
650 6 |a Émissions policieres televisees  |z Nevada  |z Las Vegas. 
650 0 |a Television cop shows  |z Nevada  |z Las Vegas. 
651 7 |a Nevada  |z Las Vegas.  |2 fast  |0 (OCoLC)fst01204935 
651 0 |a Las Vegas (Nev.)  |x On television. 
655 7 |a Electronic books.   |2 local 
700 1 |a Tatum, Stephen,  |d 1949-  |e author. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/55930/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 US Regional Studies, West