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Latinx Theater in the Times of Neoliberalism /

"Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration...

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Detalles Bibliográficos
Autor principal: Ybarra, Patricia A., 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Latinx Theater in the Times of Neoliberalism /   |c Patricia A. Ybarra. 
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505 0 |a "Never any other time but this time no world but this world," or staging indigeneity in neoliberal times -- Havana is (not) waiting : staging the impasse in Cuban American drama about Cuba's special period -- Neoliberalism is a serial killer -- Swallowing the '80s (w)hole : millennial drama of the narcoguerra. 
520 |a "Latinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs. She demonstrates how these policies have created the conditions for many of the most tumultuous events in the Americas in the last forty years, including dictatorships in the Southern Cone; the 1994 Cuban Rafter Crisis; femicides in Juárez, Mexico; the Zapatista uprising in Chiapas, Mexico; and the rise of narcotrafficking as a violent and vigorous global business throughout the Americas. Latinx artists have responded to these crises by writing and developing innovative theatrical modes of representation about neoliberalism. Ybarra analyzes the work of playwrights María Irene Fornes, Cherríe Moraga, Michael John Garces, Caridad Svich, Quiara Alegría Hudes, Victor Cazares, Jorge Ignacio Cortiñas, Tanya Saracho, and Octavio Solis. In addressing histories of oppression in their home countries, these playwrights have newly imagined affective political and economic ties in the Americas. They also have rethought the hallmark movements of Latin politics in the United States--cultural nationalism, third world solidarity, multiculturalism--and their many discontents."--Provided by publisher. 
588 |a Description based on print version record. 
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650 0 |a Theater and society  |z United States. 
650 0 |a Hispanic American theater  |x History  |y 21st century. 
650 0 |a Hispanic American theater  |x History  |y 20th century. 
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945 |a Project MUSE - 2017 Film, Theater and Performing Arts 
945 |a Project MUSE - 2017 Latin American and Caribbean Studies