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Killing Poetry : Blackness and the Making of Slam and Spoken Word Communities /

"In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as wel...

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Detalles Bibliográficos
Autor principal: Johnson, Javon (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick : Rutgers University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Johnson, Javon,  |e author. 
245 1 0 |a Killing Poetry :   |b Blackness and the Making of Slam and Spoken Word Communities /   |c Javon Johnson. 
264 1 |a New Brunswick :  |b Rutgers University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (170 pages). 
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505 0 |a Preface -- 1. Let the slam begin : history, method, and beyond -- 2. "This DPL, come on!" : black manhood in the Los Angeles slam and spoken word scene -- 3. SlamMasters : toward creative and transformative justice -- 4. Button up : viral poetry and rethinking the archives -- 5 Conclusion: "That is the slam, everybody" -- Glossary. 
520 |a "In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry--at times autobiographical, poetic, and journalistic--analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve"--  |c Provided by publisher 
588 |a Description based on print version record. 
650 7 |a Poetry  |x Social aspects.  |2 fast  |0 (OCoLC)fst01067732 
650 7 |a Poetry slams.  |2 fast  |0 (OCoLC)fst01200336 
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650 7 |a Performance poetry.  |2 fast  |0 (OCoLC)fst01736512 
650 7 |a American poetry  |x African American authors.  |2 fast  |0 (OCoLC)fst00807349 
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650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
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650 6 |a Poesie americaine  |y 20e siecle  |x Histoire et critique. 
650 6 |a Poesie  |x Aspect politique  |z États-Unis. 
650 6 |a Poesie-performance  |z États-Unis  |x Histoire et critique. 
650 6 |a Slam  |z États-Unis  |x Histoire. 
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