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Notes to Make the Sound Come Right : Four Innovators of Jazz Poetry /

"In this book, T.J. Anderson, son of the brilliant composer, Thomas Anderson, Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as spiritual and work song, but also a way of examining the African American social and cultural experience. He...

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Detalles Bibliográficos
Autor principal: Anderson, T. J., III, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Fayetteville : University of Arkansas Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9781557287694 
035 |a (OCoLC)1017639911 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Anderson, T. J.,  |c III,  |d 1958- 
245 1 0 |a Notes to Make the Sound Come Right :   |b Four Innovators of Jazz Poetry /   |c T.J. Anderson III. 
264 1 |a Fayetteville :  |b University of Arkansas Press,  |c 2004. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2004. 
300 |a 1 online resource (229 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The jazz impulse in poetry -- Voices crossing over : a historical overview of jazz poetry -- Body and soul : Bob Kaufman's Golden sardine -- Now's the time : Stephen Jonas's Exercises for ear -- Hot house : Jayne Cortez and the music of illumination -- Interstellar space : Nathaniel Mackey's Musical weave -- Coda : the mixtery of jazz poetry. 
520 1 |a "In this book, T.J. Anderson, son of the brilliant composer, Thomas Anderson, Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?-1970) and the unjustly overlooked Bob Kaufman (1925-1986), who have affinities with Beat poetry; Jayne Cortez (1936- ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947- ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz."--Jacket 
588 |a Description based on print version record. 
600 1 7 |a Cortez, Jayne.  |2 fast  |0 (OCoLC)fst00005754 
600 1 7 |a Mackey, Nathaniel,  |d 1947-  |2 fast  |0 (OCoLC)fst00144167 
600 1 0 |a Kaufman, Bob.  |t Golden sardine. 
600 1 0 |a Jonas, Stephen.  |t Exercises for ear. 
600 1 0 |a Cortez, Jayne  |x Criticism and interpretation. 
600 1 0 |a Mackey, Nathaniel,  |d 1947-  |x Criticism and interpretation. 
650 0 7 |a Geschichte 1960-1990.  |2 swd 
650 7 |a Jazz  |g Motiv  |2 gnd 
650 7 |a Lyrik  |2 gnd 
650 7 |a Music and literature.  |2 fast  |0 (OCoLC)fst01030479 
650 7 |a Jazz in literature.  |2 fast  |0 (OCoLC)fst00982203 
650 7 |a American poetry.  |2 fast  |0 (OCoLC)fst00807348 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 6 |a Musique et litterature  |x Histoire  |y 20e siecle. 
650 6 |a Poesie americaine  |y 20e siecle  |x Histoire et critique. 
650 6 |a Jazz dans la litterature. 
650 0 |a Music and literature  |x History  |y 20th century. 
650 0 |a Jazz in literature. 
650 0 |a American poetry  |y 20th century  |x History and criticism. 
651 7 |a Schwarze.  |2 swd 
651 7 |a USA.  |2 swd 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/55811/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive Literature Supplement VI