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Standing Soldiers, Kneeling Slaves : Race, War, and Monument in Nineteenth-Century America /

Here Kirk Savage shows how the greatest era of monument building in American history arose amidst struggles over race, gender, and collective memory. As men and women North and South fought to define the war's legacy in monumental art, they reshaped the cultural landscape of American nationalis...

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Detalles Bibliográficos
Autor principal: Savage, Kirk, 1958- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1997]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Savage, Kirk,  |d 1958-  |e author. 
245 1 0 |a Standing Soldiers, Kneeling Slaves :   |b Race, War, and Monument in Nineteenth-Century America /   |c Kirk Savage. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [1997] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©[1997] 
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505 0 |a Introduction -- Exposing slavery -- Imagining emancipation -- Freedom's memorial -- Slavery's memorial -- Common soldiers -- Epilogue. 
520 8 |a Here Kirk Savage shows how the greatest era of monument building in American history arose amidst struggles over race, gender, and collective memory. As men and women North and South fought to define the war's legacy in monumental art, they reshaped the cultural landscape of American nationalism. 
520 |a The United States of America originated as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how that history of slavery and its violent end was told in public space - specifically in the sculptural monuments that increasingly came to dominate streets, parks, and town squares in nineteenth-century America. 
588 |a Description based on print version record. 
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651 6 |a États-Unis  |x Relations raciales. 
651 6 |a États-Unis  |x Histoire  |y 1861-1865 (Guerre de Secession)  |x Aspect social. 
651 0 |a United States  |x Race relations. 
651 0 |a United States  |x History  |y Civil War, 1861-1865  |x Social aspects. 
650 7 |a Esclavage  |x Abolition  |z États-Unis.  |2 ram 
650 7 |a Sculpture publique  |z États-Unis  |y 19e siecle.  |2 ram 
650 1 7 |a Slavernij.  |2 gtt 
650 1 7 |a Gedenktekens.  |2 gtt 
650 7 |a Sklave  |g Motiv  |2 gnd 
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650 7 |a Denkmal  |2 gnd 
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650 7 |a Slaves  |x Emancipation.  |2 fast  |0 (OCoLC)fst01120540 
650 7 |a Race relations.  |2 fast  |0 (OCoLC)fst01086509 
650 7 |a Public sculpture, American.  |2 fast  |0 (OCoLC)fst01202598 
650 7 |a National characteristics, American.  |2 fast  |0 (OCoLC)fst01033342 
650 7 |a HISTORY  |z United States  |y 19th Century.  |2 bisacsh 
650 7 |a HISTORY  |z United States  |x State & Local  |x General.  |2 bisacsh 
650 6 |a Sculpture publique americaine  |y 19e siecle. 
650 0 |a National characteristics, American  |x History  |y 19th century. 
650 0 |a Public sculpture, American  |y 19th century. 
650 0 |a Slaves  |x Emancipation  |z United States. 
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945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive History Supplement VI 
945 |a Project MUSE - Archive American Studies Supplement V