Cosmopolitan Film Cultures in Latin America, 1896-1960 /

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Cosmopolitan Film Cultures in Latin America' examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today s transnational media industries by several decades, these connections were defined...

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Detalles Bibliográficos
Otros Autores: Poppe, Nicolas (Editor ), Navitski, Rielle (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Motion pictures > Social aspects.
Motion pictures.
PERFORMING ARTS > Film & Video > History & Criticism.
PERFORMING ARTS > Reference.
Cinema > Aspect social > Amerique latine.
Cinema > Amerique latine > Histoire > 20e siecle.
Motion pictures > Social aspects > Latin America.
Motion pictures > Latin America > History > 20th century.
Latin America.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes
  • Primary text: Tic tac (Carlos Villafañe), "the show on June 15th," Películas Bogotá), June 1919
  • Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastián Ospina León
  • Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926)
  • Manipulation and authenticity: the unassimilable Valentino in 1920s Argentina / Giorgio Bertellini
  • The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927
  • Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski
  • Primary text: Octávio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928
  • Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells
  • Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930
  • A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo
  • The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934
  • John Alton in Argentina, 1932-1939 / Nicolas Poppe
  • The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940s and 1950s / Ignacio M. Sánchez Prado
  • Primary text: Gabriel García Márquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951
  • Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge
  • The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956)
  • Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodríguez / Irene Rozsa
  • The secret history of Aztlán: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel.

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