Cargando…
Staging Creolization : Women's Theater and Performance from the French Caribbean /
"Emily Sahakian examines plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Car...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Charlottesville :
University of Virginia Press,
2017.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_52700 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045624.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 170710s2017 vau o 00 0 eng d | ||
| 020 | |a 9780813940090 | ||
| 020 | |z 9780813940076 | ||
| 035 | |a (OCoLC)993254885 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Sahakian, Emily, |e author. | |
| 245 | 1 | 0 | |a Staging Creolization : |b Women's Theater and Performance from the French Caribbean / |c Emily Sahakian. |
| 264 | 1 | |a Charlottesville : |b University of Virginia Press, |c 2017. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource (296 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a New world studie | |
| 505 | 0 | |a Introduction -- Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes -- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes -- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine -- Diaspora performances at Ubu Repertory Theater in New York -- Recasting the Francophone Caribbean couple at Ubu Repertory Theater -- Coda: creolizing knowledge in U.S. university performances. | |
| 520 | |a "Emily Sahakian examines plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization -- the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism"-- |c Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Schwarz-Bart, Simone. |2 fast |0 (OCoLC)fst00071851 |
| 600 | 1 | 7 | |a Dambury, Gerty. |2 fast |0 (OCoLC)fst01990966 |
| 600 | 1 | 7 | |a Conde, Maryse. |2 fast |0 (OCoLC)fst00095439 |
| 600 | 1 | 1 | |a Cesaire, Ina |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Conde, Maryse |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Dambury, Gerty |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Schwarz-Bart, Simone |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Schwarz-Bart, Simone |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Dambury, Gerty |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Conde, Maryse |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Cesaire, Ina |x Criticism and interpretation. |
| 610 | 2 | 7 | |a Ubu Repertory Theater. |2 fast |0 (OCoLC)fst00587216 |
| 610 | 2 | 0 | |a Ubu Repertory Theater. |
| 650 | 7 | |a Women in literature. |2 fast |0 (OCoLC)fst01177912 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 650 | 7 | |a Cultural fusion. |2 fast |0 (OCoLC)fst01715748 | |
| 650 | 7 | |a Caribbean drama (French Creole) |2 fast |0 (OCoLC)fst00847454 | |
| 650 | 7 | |a LITERARY CRITICISM |x Caribbean & Latin American. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 6 | |a Double appartenance (Sciences sociales) | |
| 650 | 6 | |a Femmes dans la litterature. | |
| 650 | 6 | |a Theâtre |z Antilles francophones |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Theâtre antillais (creole français) |x Histoire et critique. | |
| 650 | 0 | |a Cultural fusion. | |
| 650 | 0 | |a Women in literature. | |
| 650 | 0 | |a Theater |z Caribbean, French-speaking |x History |y 20th century. | |
| 650 | 0 | |a Caribbean drama (French Creole) |x Women authors |x History and criticism. | |
| 650 | 0 | |a Caribbean drama (French Creole) |x History and criticism. | |
| 651 | 7 | |a Caribbean Area, French-speaking. |2 fast |0 (OCoLC)fst01714103 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/52700/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2017 Latin American and Caribbean Studies | ||