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The Cinema of the Soviet Thaw : Space, Materiality, Movement /

Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Oukaderova, Lida (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2017
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Oukaderova, Lida,  |e author. 
245 1 4 |a The Cinema of the Soviet Thaw :   |b Space, Materiality, Movement /   |c Lida Oukaderova. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2017 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017 
300 |a 1 online resource (228 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 193-203), filmography (pages 205-206) and index. 
505 0 |a Introduction -- The persistence of presence : Soviet panoramic cinema -- Mimetic passages : the cinema of Mikhail Kalatozov and Sergei Urusevskii -- The architecture of movement : Georgii Danelia's I walk the streets of Moscow -- A walk through the ruins : Larisa Sepitko's Wings -- The obdurate matter of space : Kira Muratova's Brief encounters -- Conclusion : the otherness of space. 
506 |a Access restricted to authorized users and institutions. 
520 |a Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space--as both filmic trope and social concern--to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post-Stalinist culture. 
588 |a Description based on print version record. 
650 0 |a Motion pictures and history. 
650 0 |a Motion pictures  |z Soviet Union  |x History. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9780253026354 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/52680/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts 
945 |a Project MUSE - 2017 Russian and East European Studies