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How to Play a Poem /

Approaching poems as utterances designed and packaged for pleasurable reanimation, How to Play a Poem leads readers through a course that uses our common experience of language to bring poems to life. It mobilizes the speech genres we acquire in our everyday exchanges to identify "signs of life...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bialostosky, Don H. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2017
Colección:Pittsburgh series in composition, literacy, and culture.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bialostosky, Don H.,  |e author. 
245 1 0 |a How to Play a Poem /   |c Don Bialostosky. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2017 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017 
300 |a 1 online resource (253 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Pittsburgh series in composition, literacy, and culture 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 221-226) and index. 
505 0 |a Preface -- Introduction -- 1. Reanimation -- 2. Utterances -- 3. Signs of life 1 : marks of making, signs of design -- 4. Assignments, a reading, and some warnings -- 5. Signs of life 2 : speech genres -- 6. Naming of parts -- 7. Signs of life 3 : "figures of thought" or gestures or "interactional devices" -- 8. Toward tone -- 9. Playing tone -- 10. Versification and intonation 1 : lines and stanzas -- 11. Versification and intonation 2 : meter and stress in iambic pentameter -- 12. Versification and intonation 3 : meet the other feet -- 13. Climbing mount "Lycidas" -- 14. Complications of narration 1 : "Goody Blake and Harry Gill" -- 15. Complications of narration 2 : "Simon Lee" -- 16. Complications of narration on more familiar ground -- 17. "Attack of the difficult poems" : Charles Bernstein's experiments -- Appendix : a Bakhtin-school pedagogy for poetry. 
506 |a Access restricted to authorized users and institutions. 
520 |a Approaching poems as utterances designed and packaged for pleasurable reanimation, How to Play a Poem leads readers through a course that uses our common experience of language to bring poems to life. It mobilizes the speech genres we acquire in our everyday exchanges to identify "signs of life" in poetic texts that can guide our co-creation of tone. How to Play a Poem draws on ideas from the Bakhtin School, usually associated with fiction rather than poetry, to construct a user-friendly practice of close reading as an alternative to the New Critical formalism that still shapes much of teaching and alienates many readers. It sets aside stock questions about connotation and symbolism to guide the playing out of dynamic relations among the human parties to poetic utterances, as we would play a dramatic script or musical score. How to Play a Poem addresses critics ready to abandon New Criticism, teachers eager to rethink poetry, readers eager to enjoy it, and students willing to give it a chance, inviting them to discover a lively and enlivening way to animate familiar and unfamiliar poems. 
588 |a Description based on print version record. 
650 0 |a Poetry  |x Criticism and interpretation. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
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830 0 |a Pittsburgh series in composition, literacy, and culture. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/52512/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Literature