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You Can't Get Lost in Cape Town /

You Can't Get Lost in Cape Town is among the only works of fiction to explore the experience of "Coloured" citizens in apartheid-era South Africa, whose mixed heritage traps them, as Bharati Mukherjee wrote in the New York Times, "in the racial crucible of their country." Fr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wicomb, Zoë (Autor)
Otros Autores: Sicherman, Carol (writer of afterword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Edición:First Feminist Press edition.
Colección:Women writing Africa series.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wicomb, Zoë,  |e author. 
245 1 0 |a You Can't Get Lost in Cape Town /   |c Zoë Wicomb ; historical introduction by Marcia Wright ; literary afterword by Carol Sicherman. 
250 |a First Feminist Press edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2018 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018 
300 |a 1 online resource (240 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Women writing Africa series 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references. 
505 0 |a Bowl like hole -- Jan Klinkies -- When the train comes -- A clearing in the bush -- You can't get lost in Cape Town -- Home sweet home -- Behind the bougainvillea -- A fair exchange -- Ash on my sleeve -- A trip to the gifberge. 
506 |a Access restricted to authorized users and institutions. 
520 |a You Can't Get Lost in Cape Town is among the only works of fiction to explore the experience of "Coloured" citizens in apartheid-era South Africa, whose mixed heritage traps them, as Bharati Mukherjee wrote in the New York Times, "in the racial crucible of their country." Frieda Shenton, the daughter of Coloured parents in rural South Africa, is taught as a child to emulate whites: she is encouraged to learn correct English, to straighten her hair, and to do more than, as her father says, "peg out the madam's washing." While still a self-conscious and overweight adolescent, Frieda is sent away from home to be among the first to integrate a prestigious Anglican high school in Cape Town, and finds herself in a city where racial lines are so strictly drawn that it is not possible to step out of one's place. At last, Frieda flees to England, only to return more than a decade later to a South Africa now in violent rebellion against apartheid--but still, seemingly, without a place for her. It is only as Frieda finds the courage to tell her "terrible stories" that she at last begins to create her own place in a world where she has always felt herself an exile. 
588 |a Description based on print version record. 
650 0 |a Young women  |v Fiction. 
650 0 |a Colored people (South Africa)  |v Fiction. 
651 0 |a Cape Town (South Africa)  |v Fiction. 
655 7 |a Feminist fiction.  |2 lcsh 
655 7 |a Psychological fiction.  |2 lcgft 
655 7 |a Electronic books.   |2 local 
700 1 |a Sicherman, Carol,  |e writer of afterword. 
700 1 |a Wright, Marcia,  |e writer of introduction. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |w (DLC) 99053119  |z 9781558612259 
710 2 |a Project Muse.  |e distributor 
830 0 |a Women writing Africa series. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/52365/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement VI