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Portraits of Violence : War and the Aesthetics of Disfigurement /

Portraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman's iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological resp...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Biernoff, Suzannah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2017
Colección:Corporealities.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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050 4 |a RD118.3  |b .B547 2017 
100 1 |a Biernoff, Suzannah,  |e author. 
245 1 0 |a Portraits of Violence :   |b War and the Aesthetics of Disfigurement /   |c Suzannah Biernoff. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2017 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017 
300 |a 1 online resource (222 pages):   |b illustrations (some color). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Corporealities : discourses of disability 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 197-205) and index. 
505 0 |a Introduction -- 1. The elusive portrait -- 2. Aversion : a history -- 3. Repairing war's ravages -- 4. Flesh poems -- 5. The afterlife of Henry Lumley -- Conclusion. 
506 |a Access restricted to authorized users and institutions. 
520 |a Portraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman's iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological response to serious combat injuries. While these issues remain urgent, it is equally crucial to interrogate the representation of war and injury. The concepts of valor, heroism, patriotism, and courage assume visible form and do their cultural work when they are personified and embodied. The mutilated or disabled veteran's body can connote the brutalizing, dehumanizing potential of modern combat. Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths' portraits of British veterans; Henry Tonks' drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks's patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies; puts disfigurement on the agenda for art history and visual studies; and makes a timely and provocative contribution to the literature on the First World War. 
588 |a Description based on print version record. 
650 0 |a Surgery, Plastic. 
650 0 |a Disfigured persons  |x Treatment. 
650 0 |a Disabled veterans  |x Rehabilitation. 
650 0 |a Theatrical prosthetic makeup. 
650 0 |a Prosthesis  |v Case studies. 
650 0 |a War wounds  |x Treatment. 
650 0 |a Mutilation  |x Treatment. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 0472130293  |z 9780472130290 
710 2 |a Project Muse.  |e distributor 
830 0 |a Corporealities. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/52276/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Global Cultural Studies