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The Political Poetess : Victorian Femininity, Race, and the Legacy of Separate Spheres
"The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--One ex...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
2016.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 005 | 20230905045555.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 161231s2016 nju o 00 0 eng d | ||
| 020 | |a 9781400883721 | ||
| 020 | |z 9780691170312 | ||
| 020 | |z 9780691196770 | ||
| 035 | |a (OCoLC)967529890 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Lootens, Tricia. | |
| 245 | 1 | 4 | |a The Political Poetess : |b Victorian Femininity, Race, and the Legacy of Separate Spheres |
| 264 | 1 | |a Princeton : |b Princeton University Press, |c 2016. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 1 online resource (344 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Acknowledgments Index. | ||
| 500 | |a CHAPTER THREE Suspending Spheres, Suspending Disbelief: Hegel's Antigone, Craik's Crimea, Woolf's Three Guineas CHAPTER FOUR Turning and Burning: Sentimental Criticism, Casabiancas, and the Click of the Cliche | ||
| 500 | |a CHAPTER TWO "Not Another 'Poetess' ": Feminist Criticism, Nineteenth-Century Poetry, and the Racialization of Suicide Section 2 Suspending Spheres: The Violent Structures of Patriotic Pacifism. | ||
| 505 | 0 | |a Cover; Title; Copyright; Dedication; Contents; Introduction: Slaves, Spheres, Poetess Poetics ; Section 1 Racializing the Poetess: Haunting "Separate Spheres" ; CHAPTER ONE Antislavery Afterlives: Changing the Subject / Haunting the Poetess. | |
| 505 | 0 | |a Section 3 Transatlantic Occasions: Nineteenth-Century Antislavery Poetics at the Limits CHAPTER FIVE Teaching Curses, Teaching Nations: Abolition Time and the Recoils of Antislavery Poetics ; CHAPTER SIX Harper's Hearts: "Home Is Never Natural or Safe" ; Notes ; Works Cited. | |
| 520 | |a "The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--One exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view--and with them, the vitality of the Black Poetess within African-American public life. Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E.W. Harper as convergence points for larger engagements with the intransigently racialized, sentimental dream-poetics of "separate spheres": engagements ranging from Germaine de Staël to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond." | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Feminism and literature. |2 fast |0 (OCoLC)fst00922735 | |
| 650 | 7 | |a English poetry |x Women authors. |2 fast |0 (OCoLC)fst00912353 | |
| 650 | 7 | |a English poetry. |2 fast |0 (OCoLC)fst00912278 | |
| 650 | 7 | |a LITERARY CRITICISM / Subjects & Themes / Women. |2 bisacsh | |
| 650 | 6 | |a Poesie anglaise |y 19e siecle |x Histoire et critique. | |
| 650 | 0 | |a Feminism and literature |y 19th century. | |
| 650 | 0 | |a English poetry |y 19th century |x History and criticism. | |
| 650 | 0 | |a English poetry |x Women authors |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/52233/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Global Cultural Studies | ||