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Black Post-Blackness : The Black Arts Movement and Twenty-First-Century Aesthetics /

"A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Move...

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Detalles Bibliográficos
Autor principal: Crawford, Margo Natalie, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Crawford, Margo Natalie,  |d 1969-  |e author. 
245 1 0 |a Black Post-Blackness :   |b The Black Arts Movement and Twenty-First-Century Aesthetics /   |c Margo Natalie Crawford. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (280 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a New Black Studies Series 
505 0 |a Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue : Feeling black post-black. 
520 8 |a "A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic." -- Publisher's description. 
588 |a Description based on print version record. 
630 0 0 |a African-American literature and culture  |y 21st century. 
650 7 |a Black nationalism.  |2 fast  |0 (OCoLC)fst00833733 
650 7 |a Black Arts movement.  |2 fast  |0 (OCoLC)fst00833583 
650 7 |a Arts, Black.  |2 fast  |0 (OCoLC)fst00817930 
650 7 |a American literature  |x African American authors.  |2 fast  |0 (OCoLC)fst00807114 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 6 |a Nationalisme noir. 
650 6 |a Black Arts (Mouvement artistique)  |y 21e siecle. 
650 0 |a Black nationalism. 
650 0 |a Black Arts movement  |y 21st century. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/52147/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Global Cultural Studies 
945 |a Project MUSE - 2017 American Studies