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The Chatter of the Visible : Montage and Narrative in Weimar Germany /
"Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity,...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2016]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_52098 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045546.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 151016s2016 miu o 00 0 eng d | ||
| 010 | |z 2020707266 | ||
| 020 | |a 9780472900664 | ||
| 020 | |z 9780472073030 | ||
| 020 | |z 9780472053032 | ||
| 020 | |z 9780472121700 | ||
| 035 | |a (OCoLC)978667431 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a McBride, Patrizia C., |e author. | |
| 245 | 1 | 4 | |a The Chatter of the Visible : |b Montage and Narrative in Weimar Germany / |c Patrizia C. McBride. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2016] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2016] | |
| 300 | |a 1 online resource (288 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Knowledge Unlatched | |
| 505 | 0 | |a Introduction -- 1. Weimar-Era Montage: Perception, Expression, Storytelling -- 2. The Narrative Restitution of Experience: Walter Benjamin's Storytelling -- 3. Storytelling in the Age of Its Technological Reproducibility: Benjamin on Film and Montage -- 4. Narrating in Three Dimensions: László Moholy-Nagy's "Vision in Motion" -- 5. Narrative Resemblance and the Modernist Photobook -- 6. Abstraction and Montage in the Work of Kurt Schwitters -- Conclusion: Montage after Weimar. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | 1 | |a "Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it." | |
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Photography |2 fast |0 (OCoLC)fst01061714 | |
| 650 | 7 | |a ART |x History |x Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 0 | |a Photography |z Germany |x History |y 1918-1933. | |
| 651 | 7 | |a Germany |2 fast |0 (OCoLC)fst01210272 | |
| 655 | 7 | |a History |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/52098/ |