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Voicetracks : Attuning to Voice in Media and the Arts /

Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of acade...

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Detalles Bibliográficos
Autor principal: Neumark, Norie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts : The MIT Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Series Foreword; Leonardo/International Society for the Arts, Sciences, and Technology (ISAST); Acknowledgments; 1 Introduction: Voice, Voicetracks, New Materialism; Ahem ... clearing the throat; Finding the write voice; Tracking voices; Affects, emotions, and feelings ... ; Listening to human voice; Listening beyond human(ist) voices: new materialities, new subjectivities; New materialism; Enchanted listening; Listening through 'pataphysics; Returning to breathing, coughing, and materiality-clearing the throat, once more; Situated and carnal knowledge; Voicetracks.
  • Voice, sound and new materialism, once moreAnd to follow ... ; The write voice, one more time; 2 Animal Tracks: Affect, Aesthetics, Ethics; Kathy's cat: Kitty and kitty assembled in the face of death; Becoming-animal and attunement; Attunement, empathy, and sympathy; Ethics and politics; Gut, ventre, ventriloquism; AKKKKK-the birds-noisy voices we learn to hear; The birds and the bees-humming, vibrating, morphing; Moving (with) animals; How to talk to a parrot and listen to a mussels' singalong; Enchanted terrains ... to follow; 3 Ears to the Ground: Voicing Place; Vibration and transperception.
  • Things vibrating (in) placeRemembering place; When a house speaks for itself; Waiting; Wondering and wandering through riceworks; Stemning-voicing atmospheres; Ears to the ground; Voice, breath, and place; Fragile ground; Spanning environments; And to follow; 4 Technology and Machines Speak (for) Themselves; A transitional piece; Loudspeakers, loud speakers; Speakers ... again and again and again ... ; Sonification; Code and data speak differently; Opaque voices; Vociferous robotic assemblages; Robots softly spoken; Static movement ... voicing the static; Dirty voices: toying with technologies.
  • Ratatattating tattoosRepetition and memory; Speaking of documentation encounters; When videotapes silently speak their memories; When a fridge became a cow; 5 Unvoice in Media and the Arts: Voice Going off the Rails; Off the rails and off the beaten track: medianatures, minor aesthetics, ekphrasis; The best thing about animation; Unvoicing machinima; Lip sync; Inhabiting voicetracks; Unvoicing portraits; Performing reperforming; Subtitles and remixes; Accidental unvoices; Rethinking animal voices with Henri; Rethinking animal voices-bear life; Artaud again ... ; ... And again.