Subversive Stages : Theater in Pre- and Post-Communist Hungary, Romania and Bulgaria /
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Pl...
Autor principal: | |
---|---|
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
New York :
Central European University Press, an imprint of the Central European University Limited Liability Company,
2017.
|
Colección: | Book collections on Project MUSE.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel
- Adapting Moliere and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island
- György Spiró's The impostor: rethinking Moliere's Tartuffe for communist Hungary
- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Mateï Vișniec's Richard III will not take place or scenes from the life of Meyerhold
- Staging Hamlet as political no exit in Geza Beremenyi's Halmi
- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet
- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots
- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc