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Subversive Stages : Theater in Pre- and Post-Communist Hungary, Romania and Bulgaria /

Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Pl...

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Detalles Bibliográficos
Autor principal: Orlich, Ileana Alexandra (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Central European University Press, an imprint of the Central European University Limited Liability Company, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Moliere and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Moliere's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Mateï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Geza Beremenyi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc 
520 |a Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet 
588 |a Description based on print version record. 
600 1 7 |a Shakespeare, William,  |d 1564-1616.  |2 fast  |0 (OCoLC)fst00029048 
600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Adaptations  |x History and criticism. 
650 7 |a Literature  |x Adaptations.  |2 fast  |0 (OCoLC)fst00999955 
650 7 |a English drama  |x Adaptations.  |2 fast  |0 (OCoLC)fst01425190 
650 7 |a East European drama.  |2 fast  |0 (OCoLC)fst00901013 
650 7 |a Communism and literature.  |2 fast  |0 (OCoLC)fst00870509 
650 7 |a PERFORMING ARTS  |x Theater  |x History & Criticism.  |2 bisacsh 
650 6 |a Communisme et litterature  |z Europe de l'Est. 
650 6 |a Theâtre est-europeen  |y 20e siecle  |x Histoire et critique. 
650 0 |a Communism and literature  |z Europe, Eastern. 
650 0 |a English drama  |x Adaptations  |x History and criticism. 
650 0 |a French drama  |x Adaptations  |x History and criticism. 
650 0 |a Russian drama  |x Adaptations  |x History and criticism. 
650 0 |a East European drama  |y 20th century  |x History and criticism. 
651 7 |a Eastern Europe.  |2 fast  |0 (OCoLC)fst01245079 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts 
945 |a Project MUSE - 2017 Russian and East European Studies