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Traveler, There Is No Road : Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas /
"Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City :
University Of Iowa Press,
2017.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_51764 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045523.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 170411s2017 iau o 00 0 eng d | ||
| 020 | |a 9781609384913 | ||
| 020 | |z 9781609384906 | ||
| 035 | |a (OCoLC)982121825 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Jackson-Schebetta, Lisa, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Traveler, There Is No Road : |b Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas / |c Lisa Jackson-Schebetta. |
| 264 | 1 | |a Iowa City : |b University Of Iowa Press, |c 2017. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studies in theatre history and culture | |
| 500 | |a Includes index. | ||
| 505 | 0 | |a Acknowledgments; Introduction: Decolonial Spain; 1. Spectacles of Gender and Nation: Red Carmens within and without History; 2. The Making of a Transatlantic Sister Republic: Good Neighbors and Air Raids in Spain; 3. "Everyone Has His Lorca": Andalusi Pasts and US and Caribbean Resistance; 4. Moros a la costa: Blackness and the Spanish Civil War; 5. Dramaturgies of No-Where: Exile and Repression in Spain and the Americas; Conclusion: Worlds Otherwise; Notes; Index | |
| 520 | |a "Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936-1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a War and literature. |2 fast |0 (OCoLC)fst01170442 | |
| 650 | 7 | |a Theater |x Political aspects. |2 fast |0 (OCoLC)fst01149276 | |
| 650 | 7 | |a Public opinion. |2 fast |0 (OCoLC)fst01082785 | |
| 650 | 7 | |a Literature. |2 fast |0 (OCoLC)fst00999953 | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Theâtre |x Aspect politique |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Theater |x Political aspects |z United States |x History |y 20th century. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 651 | 7 | |a Spain. |2 fast |0 (OCoLC)fst01204303 | |
| 651 | 6 | |a Espagne |x Histoire |y 1936-1939 (Guerre civile) |x Litterature et guerre. | |
| 651 | 0 | |a Spain |x Foreign public opinion. | |
| 651 | 0 | |a Spain |x In literature. | |
| 651 | 0 | |a Spain |x History |y Civil War, 1936-1939 |x Literature and the war. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/51764/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Film, Theater and Performing Arts | ||