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The life of mise-en-scène : Visual style and British film criticism, 1946-78 /
The Life of Mise-en-sc{grave}ene offers a critical history of key debates about visual style in British film journals in the postwar period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound du...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York [New York] :
Manchester University Press,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781526103130 | ||
| 020 | |z 9780719088667 | ||
| 020 | |z 1526103133 | ||
| 035 | |a (OCoLC)980776819 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
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| 050 | 4 | |a PN1993.5.G7 |b G535 2013 | |
| 082 | 0 | |a 791.43015094109045 |2 23 | |
| 100 | 1 | |a Gibbs, John, |d 1970- |e author. | |
| 245 | 1 | 4 | |a The life of mise-en-scène : |b Visual style and British film criticism, 1946-78 / |c John Gibbs. |
| 264 | 1 | |a New York [New York] : |b Manchester University Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (288 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [243]-260), filmography (pages [261]-267), and index. | ||
| 505 | 0 | |a Sequence -- Transfusion and transformation: Sight and sound in the 1950s -- 'Pistols for three, coffee for one': the battle of form and content, circa 1960 -- Movie: aims and contexts -- Movie: approaches and analysis -- Melodrama and mise-en-sc{grave}ene -- Postscript: Bordwell's interventions. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a The Life of Mise-en-sc{grave}ene offers a critical history of key debates about visual style in British film journals in the postwar period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound during the 1950s, and the battle over the significance of film style which raged between a number of small journals and the national press in the early 1960s. It examines 'the British school first associated with Movie in the '60s' -- which, in Adrian Martin's words, is enjoying a 'widespread, international revival' -- but also other critical movements, more hazily remembered. It explores the role of Mise-en-sc{grave}ene in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the 1970s. In doing so, it provides a vital context for the contemporary practice of style-based criticism and challenges received notions of critical history, developing our understanding of a range of other key debates and concerns in the study of film. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Motion pictures |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Film criticism |z Great Britain |x History |y 20th century. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9780719088667 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/51533/ |
| 945 | |a Project MUSE - Custom Collection | ||