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musev2_51449 |
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MdBmJHUP |
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20230905045449.0 |
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160916s2016 enk o 00 0 eng d |
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|z 2016285198
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|a 9781526100955
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|z 9781526100832
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|z 9781526134585
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|z 9781526100948
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|a (OCoLC)981866771
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Theodossopoulos, Dimitrios,
|e author.
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245 |
1 |
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|a Exoticisation undressed :
|b Ethnographic nostalgia and authenticity in Emberá clothes /
|c Dimitrios Theodossopoulos.
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264 |
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|a Manchester :
|b Manchester University Press,
|c 2016.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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264 |
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|c ©2016.
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300 |
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|a 1 online resource (288 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a New ethnographies
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|a Cover; Half-title; Series information; Title page; Copyright information; Table of contents; List of figures; List of boxes; Preface; Notes; Series editor's foreword; 1 Nostalgia, invisible clothes and hidden motivations; Indigenous disemia; Under the spell of authenticity and nostalgia; They are wearing clothes. Can't you see?; Inspiration from closer to Panama; An ideal community to confront the exotic; About the sketches; Notes; 2 Static sketches in transformation; 'Traditional' clothes for men; 'Traditional' clothes for women; Emberá body painting.
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|a Generating further ethnographic nostalgiaNotes; 3 A story about Emberá clothes; Episode one: in the mists of time and up to the 1960s; Episode two: resettling in concentrated communities; Episode 3: the return of indigenous attire; Notes; 4 Ghosts of Emberá past; Verrill's fascination with Emberá nudity; Marsh seeing the Emberá as 'naked' and 'child-like'; Marsh seeing the Emberá as white; Marsh describing the Emberá body and attire; On exoticising ambivalence; Notes; 5 Ghosts of Emberá present; The irresistible view of naturalness in Emberá appearance; The tourist encounter.
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|a Ambivalent tourist expectationsContradictory images of the exotic; Notes; 6 Representational self-awareness; Founding a community to accommodate tourism; Dilemmas about the authenticity of the built environment; Emberá interest in the details of their own traditional culture; Searching for new and old representational knowledge; From entertaining others to guiding and educating others; Notes; 7 Shifting codes of dress; Dressing up and down in the course of the day; 'In-between' dress codes and ethnographic nostalgia; Indigenous accommodations of non-indigenous modesty.
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|a Embarrassment, pride and individual dress choicesThe flow of change; Notes; 8 Three authentic Emberá discontinuities; Paruma fashion, materiality and versatility; Dressing up to go to church; When Westerners undress to dress up as Emberá; Notes; 9 Indigenous-and-modern Emberá clothes; No single authenticity to discover; Disemia: indigenous-and-modern; Mirrors, caricatures and the recognition of the exotic in the Self; Notes; References; Index.
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520 |
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|a 'Exoticisation Undressed' is an innovative ethnography that makes visible the many layers through which our understandings of indigenous cultures are filtered and their inherent power to distort and refract understanding.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Ethnology.
|2 fast
|0 (OCoLC)fst00916106
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650 |
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7 |
|a POLITICAL SCIENCE
|x Public Policy
|x General.
|2 bisacsh
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650 |
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7 |
|a HISTORY
|z Latin America
|z Mexico.
|2 bisacsh
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650 |
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|a Embera Indians
|x Clothing
|z Panama.
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650 |
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0 |
|a Ethnology
|z Panama.
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651 |
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7 |
|a Panama.
|2 fast
|0 (OCoLC)fst01205585
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/51449/
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945 |
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|a Project MUSE - Custom Collection
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