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Capital and popular cinema : The dollars are coming! /
Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and cultura...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2016.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_51389 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045445.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 161010t20162016enk o 00 0 eng d | ||
| 010 | |z 2016296814 | ||
| 020 | |a 9781784997335 | ||
| 020 | |z 9780719099656 | ||
| 020 | |z 1784997331 | ||
| 035 | |a (OCoLC)978447211 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Vitali, Valentina, |e author. | |
| 245 | 1 | 0 | |a Capital and popular cinema : |b The dollars are coming! / |c Valentina Vitali. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2016. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 1 online resource (232 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Manchester Film Studies | |
| 505 | 0 | |a Cover ; Capital and popular cinema; Contents; List of figures ; Acknowledgements ; Introduction: national cinema and unstable genres ; 1 The time of popular cinema ; 2 The exclusion of giallo films from the history of Italian cinema; 3 Mexico: the cinema of Fernando Mendez; 4 The Hindi horror films of the Ramsay brothers; Conclusion; Notes; Bibliography; Filmography; Index. | |
| 520 | 8 | |a Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mňdez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally. | |
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Cult films. |2 fast |0 (OCoLC)fst01744415 | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Films cultes |x Aspect economique. | |
| 650 | 6 | |a Films cultes |x Histoire et critique. | |
| 650 | 0 | |a Cult films |x Economic aspects. | |
| 650 | 0 | |a Cult films |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/51389/ |
| 945 | |a Project MUSE - Custom Collection | ||