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Networks of Entertainment : Early Film Distribution 1895-1915 /
| Otros Autores: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Eastleigh :
J. Libbey Pub.,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Distribution
- preliminary notes / Frank Kessler
- pt. I. Networks: Distribution across borders
- Ch. 1. Rethinking boundaries. The first moving images between Spain and Portugal / Begoña Soto
- Ch. 2. What imports may not be able to tell us about the emergence of the last-minute rescue narrative in the American cinema / David Levy
- Ch. 3. 'Avoid giving wine to children': George Kleine's correspondence with Cines and the discourse of uplift / John P. Welle
- Ch. 4. Film colour and national cinema before WWI: pathecolor in the United States and Great Britain / Charles O'Brien
- pt. II. Networks: Regional distribution and the problem of the national
- Ch. 5. La distribution dans la region Lyonnaise: entre specificites locales et strategies nationales (1908-1914) / Renaud Chaplain
- Ch. 6. Une diffusion "nationale"? De la circulation d'images locales on nationales à Lausanne 1896-1914 / Pierre-Emmanuel Jaques
- Ch. 7. De l'independance à l'absorption: le cas quebecois / Pierre Veronneau
- Ch. 8. Araignees et mouches: la formation du <<systeme cinema>> et les debuts de la distribution cinematographique en Espagne, 1906-1921 / Luis Alonso Garcia
- Ch. 9. Censorship and film distribution in Russia: 1908-1914 / Rashit M. Yangirov
- Ch. 10. The "backbone" of the business: scanning signs of US film distribution in the newspapers, 1911-1914 / Richard Abel
- Ch. 11. Mapping the moving picture world: distribution in the United States circa 1915 / Gregory A. Waller
- pt. III. Networks: Local actors
- Ch. 12. 'Mr. Elliot Books Chaplins Direct': Essanay's exclusive's strategy in Southampton 1915 / Michael Hammond
- Ch. 13. "Zeppelin über Berlin"
- on the distribution of an early media event / Pelle Snickars
- Ch. 14. "The Audience Feels rather at Home ... ": Peter Marzen's 'localisation' of film exhibition in Trier / Martin Loiperdinger
- Ch. 15. Local distribution: the case of Jens Christian Gundersen in Norway / Gunnar Iversen
- Ch. 16. Infrastructure, open system and the take-off phase. Jean Desmet as a case for early distribution in the Netherlands / Ivo Blom
- pt. IV. Practices: distribution strategies
- Ch. 17. Politics, steam and scopes; marketing the Biograph / Paul C. Spehr
- Ch. 18. The price of independence: The Rolin Film Company's quest for distribution / Richard Ward
- Ch. 19. Distribution serielle et synchronisation du spectateur aux premiers temps du cinema / Nicolas Dulac
- Ch. 20. Monopolizing episodic adventures: series and seriality in Germany, 1914-20 / Rudmer Canjels
- pt. V. Practices: Distribution paratexts
- Ch. 21. Les consignes de l'<<editeur>> pour l'assemblage des vues dans les catalogues de distribution / Pierre Chemartin et Andre Gaudreault
- Ch. 22. Cataloging contingency / Jonathan Auerbach
- Ch. 23. Comparing catalogues / Ian Christie
- Ch. 24. "As pleasing as it is incomprehensible": film catalogues as paratext / Marta Braun and Charlie Keil
- Ch. 25. "Liste für gebrauchte Films zum Verkauf": Used films for sale in Germany and Austro-Hungary (1911-13) / Janelle Blankenship
- pt. VI. Practices: Non-theatrical distribution
- Ch. 26. Sunday and Holy Days / Tony Fletcher
- Ch. 27. Local entertainment and national patriotism: the distribution of colonial films in early German cinema / Wolfgang Fuhrmaun
- Ch. 28. Early forms of film distribution in Germany, 1896-1905 / Joseph Garncarz
- Ch. 29. "Just like a Public Library maintained for public welfare': 28mm as a comprehensive service strategy for non-theatrical clientele, 1912-23 / Anke Mebold
- Ch. 30. Bringing movies into the home: distribution strategies for 17.5 mm film (1903-08) / Martina Roepke
- pt. VII. Practices: Distribution into the future
- Ch. 31. 'Avant-guerre' and the international avant-garde. Circulation and programming of early films in the European avant-garde programs in the 1920s and 1930s / Ansje van Beusekom
- Ch. 32. imagination of wireless distribution / Wanda Stranven
- Ch. 33. Les films impossibles on les possibilities du cinema / Viva Paci
- Ch. 34. Any ID? Building a database out of the Jean Desmet archive / Rixt Jonkman
- Ch. 35. Des fragments des premiers temps à l'esthetique de la ruine / Andre Habib
- Conclusion: Distribuer les films on distribuer les rôles? / Francois Jost
- Afterthoughts: Beyond distribution: some thoughts on the future of archival films / Giovanna Fossati and Nanna Verhoeff.