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|a 9780861969371
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|z 9780861966813
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|a (OCoLC)1017608035
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|a eng
|a fre
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|a Networks of Entertainment :
|b Early Film Distribution 1895-1915 /
|c edited by Frank Kessler and Nanna Verhoeff.
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|a Eastleigh :
|b J. Libbey Pub.,
|c 2007.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©2007.
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300 |
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|a 1 online resource (300 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Introduction: Distribution -- preliminary notes / Frank Kessler -- pt. I. Networks: Distribution across borders -- Ch. 1. Rethinking boundaries. The first moving images between Spain and Portugal / Begoña Soto -- Ch. 2. What imports may not be able to tell us about the emergence of the last-minute rescue narrative in the American cinema / David Levy -- Ch. 3. 'Avoid giving wine to children': George Kleine's correspondence with Cines and the discourse of uplift / John P. Welle -- Ch. 4. Film colour and national cinema before WWI: pathecolor in the United States and Great Britain / Charles O'Brien -- pt. II. Networks: Regional distribution and the problem of the national -- Ch. 5. La distribution dans la region Lyonnaise: entre specificites locales et strategies nationales (1908-1914) / Renaud Chaplain -- Ch. 6. Une diffusion "nationale"? De la circulation d'images locales on nationales à Lausanne 1896-1914 / Pierre-Emmanuel Jaques -- Ch. 7. De l'independance à l'absorption: le cas quebecois / Pierre Veronneau -- Ch. 8. Araignees et mouches: la formation du <<systeme cinema>> et les debuts de la distribution cinematographique en Espagne, 1906-1921 / Luis Alonso Garcia -- Ch. 9. Censorship and film distribution in Russia: 1908-1914 / Rashit M. Yangirov -- Ch. 10. The "backbone" of the business: scanning signs of US film distribution in the newspapers, 1911-1914 / Richard Abel -- Ch. 11. Mapping the moving picture world: distribution in the United States circa 1915 / Gregory A. Waller -- pt. III. Networks: Local actors -- Ch. 12. 'Mr. Elliot Books Chaplins Direct': Essanay's exclusive's strategy in Southampton 1915 / Michael Hammond -- Ch. 13. "Zeppelin über Berlin" -- on the distribution of an early media event / Pelle Snickars -- Ch. 14. "The Audience Feels rather at Home ... ": Peter Marzen's 'localisation' of film exhibition in Trier / Martin Loiperdinger -- Ch. 15. Local distribution: the case of Jens Christian Gundersen in Norway / Gunnar Iversen -- Ch. 16. Infrastructure, open system and the take-off phase. Jean Desmet as a case for early distribution in the Netherlands / Ivo Blom -- pt. IV. Practices: distribution strategies -- Ch. 17. Politics, steam and scopes; marketing the Biograph / Paul C. Spehr -- Ch. 18. The price of independence: The Rolin Film Company's quest for distribution / Richard Ward -- Ch. 19. Distribution serielle et synchronisation du spectateur aux premiers temps du cinema / Nicolas Dulac -- Ch. 20. Monopolizing episodic adventures: series and seriality in Germany, 1914-20 / Rudmer Canjels -- pt. V. Practices: Distribution paratexts -- Ch. 21. Les consignes de l'<<editeur>> pour l'assemblage des vues dans les catalogues de distribution / Pierre Chemartin et Andre Gaudreault -- Ch. 22. Cataloging contingency / Jonathan Auerbach -- Ch. 23. Comparing catalogues / Ian Christie -- Ch. 24. "As pleasing as it is incomprehensible": film catalogues as paratext / Marta Braun and Charlie Keil -- Ch. 25. "Liste für gebrauchte Films zum Verkauf": Used films for sale in Germany and Austro-Hungary (1911-13) / Janelle Blankenship -- pt. VI. Practices: Non-theatrical distribution -- Ch. 26. Sunday and Holy Days / Tony Fletcher -- Ch. 27. Local entertainment and national patriotism: the distribution of colonial films in early German cinema / Wolfgang Fuhrmaun -- Ch. 28. Early forms of film distribution in Germany, 1896-1905 / Joseph Garncarz -- Ch. 29. "Just like a Public Library maintained for public welfare': 28mm as a comprehensive service strategy for non-theatrical clientele, 1912-23 / Anke Mebold -- Ch. 30. Bringing movies into the home: distribution strategies for 17.5 mm film (1903-08) / Martina Roepke -- pt. VII. Practices: Distribution into the future -- Ch. 31. 'Avant-guerre' and the international avant-garde. Circulation and programming of early films in the European avant-garde programs in the 1920s and 1930s / Ansje van Beusekom -- Ch. 32. imagination of wireless distribution / Wanda Stranven -- Ch. 33. Les films impossibles on les possibilities du cinema / Viva Paci -- Ch. 34. Any ID? Building a database out of the Jean Desmet archive / Rixt Jonkman -- Ch. 35. Des fragments des premiers temps à l'esthetique de la ruine / Andre Habib -- Conclusion: Distribuer les films on distribuer les rôles? / Francois Jost -- Afterthoughts: Beyond distribution: some thoughts on the future of archival films / Giovanna Fossati and Nanna Verhoeff.
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546 |
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|a Essays in English and French.
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588 |
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|a Description based on print version record.
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650 |
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|a Stummfilm
|2 gnd
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|a Filmverleih
|2 gnd
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|a Filmwirtschaft
|2 gnd
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|a Motion pictures
|x Distribution.
|2 fast
|0 (OCoLC)fst01027315
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650 |
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7 |
|a TECHNOLOGY & ENGINEERING
|x Telecommunications.
|2 bisacsh
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650 |
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|a BUSINESS & ECONOMICS
|x Industries
|x Media & Communications.
|2 bisacsh
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650 |
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|a Distribution des films.
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650 |
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|a Motion pictures
|x Distribution.
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655 |
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|a Electronic books.
|2 local
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700 |
1 |
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|a Verhoeff, Nanna.
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700 |
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|a Kessler, Frank,
|d 1957-
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2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/51232/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VI
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement VI
|