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Clear and Simple as the Truth : Writing Classic Prose /

Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only peop...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Thomas, Francis-Noël, 1943- (Autor), Turner, Mark, 1954- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Edición:Princeton legacy library edition.
Colección:Princeton legacy library.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Thomas, Francis-Noël,  |d 1943-  |e author. 
245 1 0 |a Clear and Simple as the Truth :   |b Writing Classic Prose /   |c Francis-Noël Thomas & Mark Turner. 
250 |a Princeton legacy library edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2018 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018 
300 |a 1 online resource (234 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Princeton legacy library 
500 |a Reprint. Originally published: Princeton, New Jersey : Princeton University Press, [1994]. 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 207-219) and index. 
505 0 |a Principles of classic style -- The museum -- Further readings in classic prose. 
506 |a Access restricted to authorized users and institutions. 
520 |a Everyone talks about style, but no one explains it. The authors of this book do; and in doing so, they provoke the reader to consider style, not as an elegant accessory of effective prose, but as its very heart. At a time when writing skills have virtually disappeared, what can be done? If only people learned the principles of verbal correctness, the essential rules, wouldn't good prose simply fall into place? Thomas and Turner say no. Attending to rules of grammar, sense, and sentence structure will no more lead to effective prose than knowing the mechanics of a golf swing will lead to a hole-in-one. Furthermore, ten-step programs to better writing exacerbate the problem by failing to recognize, as Thomas and Turner point out, that there are many styles with different standards. In the first half of Clear and Simple, the authors introduce a range of styles--reflexive, practical, plain, contemplative, romantic, prophetic, and others--contrasting them to classic style. Its principles are simple: The writer adopts the pose that the motive is truth, the purpose is presentation, the reader is an intellectual equal, and the occasion is informal. Classic style is at home in everything from business memos to personal letters, from magazine articles to university writing. The second half of the book is a tour of examples--the exquisite and the execrable--showing what has worked and what hasn't. Classic prose is found everywhere: from Thomas Jefferson to Junichirō Tanizaki, from Mark Twain to the observations of an undergraduate. Here are many fine performances in classic style, each clear and simple as the truth. 
588 |a Description based on print version record. 
650 0 |a Report writing. 
650 0 |a English language  |x Style. 
650 0 |a English language  |x Rhetoric. 
655 7 |a Electronic books.   |2 local 
700 1 |a Turner, Mark,  |d 1954-  |e author. 
710 2 |a Project Muse,  |e distributor. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive Language and Linguistics Supplement V