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Realizing the Witch : Science, Cinema, and the Mastery of the Invisible /

"Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Baxstrom, Richard
Otros Autores: Meyers, Todd
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Baxstrom, Richard. 
245 1 0 |a Realizing the Witch :   |b Science, Cinema, and the Mastery of the Invisible /   |c Richard Baxstrom and Todd Meyers. 
264 1 |a New York :  |b Fordham University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2016. 
300 |a 1 online resource:   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Forms of living 
504 |a Includes filmography. 
504 |a Includes bibliographical references (pages 257- 273 and index. 
520 |a "Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction". Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe--Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there"--  |c Provided by publisher. 
588 |a Description based on print version record. 
630 0 0 |a Häxan (Motion picture) 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Folklore & Mythology.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / General.  |2 bisacsh 
650 0 |a Witches  |z Europe. 
650 0 |a Witchcraft  |z Europe  |x History. 
600 1 0 |a Christensen, Benjamin,  |d 1879-1959. 
655 7 |a Electronic books.   |2 local 
700 1 |a Meyers, Todd. 
710 2 |a Project Muse.  |e distributor 
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856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/50973/ 
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