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The Pleasure in Drawing /

"Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nancy, Jean-Luc
Otros Autores: Armstrong, Philip, 1962- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: New York : Fordham University Press, 2013.
Edición:First edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Nancy, Jean-Luc. 
240 1 0 |a Plaisir au dessin.  |l English 
245 1 4 |a The Pleasure in Drawing /   |c Jean-Luc Nancy ; translated by Philip Armstrong. 
250 |a First edition. 
264 1 |a New York :  |b Fordham University Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2013. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Translation of: Plaisir au dessin. -- Paris : Hazan ; Lyon : Musee des beaux-arts de Lyon, c2007. -- 239 p. : ill. (some col.) ; 28 cm. 
504 |a Includes bibliographical references. 
520 |a "Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions"--  |c Provided by publisher. 
520 |a "Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that "drawing" designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a ART / Techniques / Drawing.  |2 bisacsh 
650 7 |a PHILOSOPHY / Aesthetics.  |2 bisacsh 
650 7 |a ART / Criticism & Theory.  |2 bisacsh 
650 0 |a Drawing  |x Philosophy. 
655 7 |a Electronic books.   |2 local 
700 1 |a Armstrong, Philip,  |d 1962-  |e translator. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/50806/ 
945 |a Project MUSE - Custom Collection