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Dante and the Origins of Italian Literary Culture /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2006.
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| Edición: | 1st ed. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 1. Dante and the lyric past
- 2. Guittone's Ora parrá, Dante's Doglia mi reca, and the Commedia's anatomy of desire
- 3. Dante and Cavalcanti (on making distinctions in matters of love) : Inferno 5 in its lyric and autobiographical context
- 4. Medieval multiculturalism and Dante's theology of hell
- 5. Why did Dante write the Commedia? Dante and the visionary tradition
- 6. Minos's tail : the labor of devising hell (Aeneid 6.431-33 and Inferno 5.1-24)
- 7. Q : Does Dante hope for Vergil's salvation? A : Why do we care? For the very reason we should not ask the question
- 8. Arachne, Argus, and St. John : transgressive art in Dante and Ovid
- 9. Cominciandomi dal principio infino a la fine : forging anti-narrative in the Vita nuova
- 10. The making of a lyric sequence : time and narrative in Petrarch's Rerum vulgarium fragmenta
- 11. The wheel of the Decameron
- 12. Editing Dante's Rime and Italian cultural history : Dante, Boccaccio, Petrarca...Barbi, Contini, Foster-Boyde, De Robertis
- 13. Le parole son femmine e i fatti son maschi : toward a sexual poetics of the Decameron (Decameron 2.9, 2.10, 5.10)
- 14. Dante and Francesca da Rimini : realpolitik, romance, gender
- 15. Sotto benda : gender in the lyrics of Dante and Guittone d' Arezzo (with a brief excursus on Cecco d'Ascoli)
- 16. Notes toward a gendered history of Italian literature, with a discussion of Dante's Beatrix Loquax