|
|
|
|
| LEADER |
00000cam a22000004a 4500 |
| 001 |
musev2_49847 |
| 003 |
MdBmJHUP |
| 005 |
20230905045157.0 |
| 006 |
m o d |
| 007 |
cr||||||||nn|n |
| 008 |
161206s2017 ilu o 00 0 eng d |
| 020 |
|
|
|a 9780810134614
|
| 020 |
|
|
|z 9780810134591
|
| 020 |
|
|
|z 9780810134607
|
| 035 |
|
|
|a (OCoLC)973003213
|
| 040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
| 100 |
1 |
|
|a Rowe, Christopher,
|d 1978-
|e author.
|
| 245 |
1 |
0 |
|a Michael Haneke :
|b The Intermedial Void /
|c Christopher Rowe.
|
| 264 |
|
1 |
|a Evanston, Illinois :
|b Northwestern University Press,
|c 2017.
|
| 264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2017
|
| 264 |
|
4 |
|c ©2017.
|
| 300 |
|
|
|a 1 online resource (270 pages).
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 505 |
0 |
|
|6 880-01
|a Introduction: Haneke and the media question -- The non-image: Der siebente Kontinent -- The film of the video: Benny's video and Funny games -- Audiovisual fragmentation and the event: 71 Fragmente einer Chronologie des Zufalls and Code inconnu -- Adaptation as an intermedial practice: Haneke's television adaptations, Das schlo? and La pianiste -- The intermedial dynamics of shame: Cache -- Conclusion: Haneke's intermedial realism -- Appendix: plot summaries and credits of relevant Haneke films.
|
| 588 |
|
|
|a Description based on print version record.
|
| 600 |
1 |
7 |
|a Haneke, Michael,
|d 1942-
|2 fast
|0 (OCoLC)fst00302512
|
| 600 |
1 |
0 |
|a Haneke, Michael,
|d 1942-
|x Criticism and interpretation.
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 655 |
|
7 |
|a Electronic books.
|2 local
|
| 710 |
2 |
|
|a Project Muse.
|e distributor
|
| 830 |
|
0 |
|a Book collections on Project MUSE.
|
| 880 |
0 |
|
|6 505-01/(S
|a Contents; Acknowledgments; Introduction. Haneke and the Media Question; Chapter 1. The Non-Image: Der siebente Kontinent; Chapter 2. The Film of the Video: Benny's Video and Funny Games; Chapter 3. Audiovisual Fragmentation and the Event: 71 Fragmente einer Chronologie des Zufalls and Code inconnu; Chapter 4. Adaptation as an Intermedial Practice: Haneke's Television Adaptations, Das Schloβ, and La pianiste; Chapter 5. The Intermedial Dynamics of Shame: Cache; Conclusion. Haneke's Intermedial Realism; Appendix. Plot Summaries and Credits of Relevant Haneke Films; Notes; Bibliography; Index.
|
| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/49847/
|
| 945 |
|
|
|a Project MUSE - Custom Collection
|
| 945 |
|
|
|a Project MUSE - 2017 Complete
|
| 945 |
|
|
|a Project MUSE - 2017 Film, Theater and Performing Arts
|
