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Theorizing Sound Writing /
An eclectic and experimental exploration of sound from the vantage point of writing.
| Otros Autores: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown, Connecticut :
Wesleyan University Press,
[2017]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | MdBmJHUP | ||
| 005 | 20230905045157.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 160823s2017 ctu o 00 0 eng d | ||
| 010 | |z 2016038984 | ||
| 020 | |a 9780819576668 | ||
| 020 | |z 9780819576644 | ||
| 035 | |a (OCoLC)957264946 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Theorizing Sound Writing / |c edited by Deborah Kapchan. |
| 264 | 1 | |a Middletown, Connecticut : |b Wesleyan University Press, |c [2017] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©[2017] | |
| 300 | |a 1 online resource (336 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music / culture | |
| 505 | 0 | |a Cover; Theorizing Sound Writing; Title; Copyright; CONTENTS; Acknowledgments; The Splash of Icarus: Theorizing Sound Writing/Writing Sound Theory; PART ONE WRITING SOUND THEORY; 1. Musicology, Performativity, Acoustemology; 2. Acoustic Palimpsests; 3. Writing the Magnified Musicking Moment; PART TWO MEMOIR AND METAPHOR AS METHOD; 4. Listening to Resonant Words; 5. Sound Commitments: Extraordinary Stories; 6. Traffic Patterns; 7. In My Solitude: Jazz Song as "Sound Writing"; PART THREE THEORIZING SOUND WRITING; 8. Women Out Loud: Religious Performance in Islamic Indonesia. | |
| 505 | 0 | |a 9. "Where the Transcendent Breaks into Time": Toward a Theology of Sound in Afro-Cuban Regla de Ochá10. Almost Imperceptible Rhythms and Stuff Like That: The Power of Affect in Live Performance; PART FOUR LISTENING AND WITNESS; 11. Deadly Soundscapes: Scripts of Lethal Force and Lo-Fi Death; 12. Listening Acts: Witnessing the Pain (and Praise) of Others; Afterword: Sound Properties of the Written Word; About the Contributors; Index. | |
| 520 | |a An eclectic and experimental exploration of sound from the vantage point of writing. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Sound (Philosophy) |2 fast |0 (OCoLC)fst01762200 | |
| 650 | 7 | |a Musicology. |2 fast |0 (OCoLC)fst01030893 | |
| 650 | 7 | |a Ethnomusicology. |2 fast |0 (OCoLC)fst00916186 | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a ethnomusicology. |2 aat | |
| 650 | 7 | |a musicology. |2 aat | |
| 650 | 6 | |a Son (Philosophie) | |
| 650 | 6 | |a Ethnomusicologie. | |
| 650 | 6 | |a Musicologie. | |
| 650 | 0 | |a Sound (Philosophy) | |
| 650 | 0 | |a Ethnomusicology. | |
| 650 | 0 | |a Musicology. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Kapchan, Deborah A. |q (Deborah Anne), |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/49846/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Film, Theater and Performing Arts | ||