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Shades-Of Painting at the Limit /

What is it that an artist paints in a painting? Working from paintings themselves rather than from philosophical theories, John Sallis shows how, through shades and limits, the painter renders visible the light that confers visibility on things. In his extended examination of three phases in the dev...

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Detalles Bibliográficos
Autor principal: Sallis, John, 1938- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sallis, John,  |d 1938-  |e author. 
245 1 0 |a Shades-Of Painting at the Limit /   |c John Sallis. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2016. 
300 |a 1 online resource (208 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Studies in Continental thought 
490 0 |a The collected writings of John Sallis ;  |v volume 1/10 
505 0 |a Shades of time : Monet's Wheatstacks -- Thresholds of abstract painting : Kandinsky and the stage of composition -- Very ancient memories : Paladino's recondite images. 
520 |a What is it that an artist paints in a painting? Working from paintings themselves rather than from philosophical theories, John Sallis shows how, through shades and limits, the painter renders visible the light that confers visibility on things. In his extended examination of three phases in the development of modern painting, Sallis focuses on the work of Claude Monet, Wassily Kandinsky, and Mimmo Paladino - three painters who, each in his own way, carry painting to the limit. Attentive to the ways in which paintings disclose the visibility of the visible order, Shades reveals the excess by which painting is always more than mere depiction or figuration. Reproductions of all the works discussed are included. 
588 |a Description based on print version record. 
650 7 |a Creation (esthetique)  |2 ram 
650 7 |a Art  |x Philosophie.  |2 ram 
650 7 |a Peinture  |x Appreciation.  |2 ram 
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650 7 |a Painting  |x Philosophy.  |2 fast  |0 (OCoLC)fst01050602 
650 7 |a Painters  |x Psychology.  |2 fast  |0 (OCoLC)fst01050547 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393 
650 7 |a PHILOSOPHY  |x General.  |2 bisacsh 
650 7 |a ART  |x Techniques  |x Painting.  |2 bisacsh 
650 6 |a Peintres  |x Psychologie. 
650 6 |a Peinture  |x Philosophie. 
650 0 |a Creation (Literary, artistic, etc.) 
650 0 |a Painters  |x Psychology. 
650 0 |a Painting  |x Philosophy. 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/49817/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive Global Cultural Studies Supplement VI