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musev2_49808 |
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MdBmJHUP |
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20230905045155.0 |
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170209s2017 miu o 00 0 eng d |
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|a 9781609175283
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|z 9781628962987
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|z 9781628952988
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|z 9781611862461
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|a (OCoLC)971588285
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Erdrich, Heid E.
|q (Heid Ellen),
|e author.
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240 |
1 |
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|a Poems.
|k Selections
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245 |
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|a Curator of Ephemera at the New Museum for Archaic Media /
|c Heid E. Erdrich.
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264 |
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|a East Lansing :
|b Michigan State University Press,
|c [2017]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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|c ©[2017]
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300 |
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|a 1 online resource (102 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a American Indian studies series
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|a Permanent Installation; Curatorial Statement for Wiindigo Eye; The Honey Suckers; Autobiography as Gesture; Wireless Handshake; Undead Faerie Goes Great with India Pale Ale; Red Star; The Gig of Light; Boom; The Dark Sky Reserve; Hang Fire; These Are My Pearls, This Is My Swine; Pre-Occupied; Curatorial Statement for Apocalyptic Poetics; At the Anachronism Fair; Mix Tape as Didactic; Indigenous Elvis Works the Medicine Line; Rise Up Fallen; Mix Tape Didactic ... Hither; Charger; Incantation on a Frank Big Bear Collage; Little Spirit Will Not Be Caught; Exhibit A; Exhibit B-Bear.
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|a Exhibit FCuratorial Note for Exhibit C; Exhibit Q-Q-Code Found Poem; Mix Tape Didactic ... Break Up 1; The Four Findings of Agent H; The Mother; The Woman; Four Women; Agent Blue; Mix Tape Didactic ... Break Up 2; Autobiography as Mix Tape for Lady Mon de Green; The New Archaic; The Buzz; Lexiconography 1/Clothes Pins; Aabjito'ikidowinan 1/Anishinaabe Language Lesson 1; Laundress; Shepherd; Dying Well; Lexiconography 2-It Was Cloudy; Aabjito'ikidowinan 2/Anishinaabe Language Lesson 2; What Gathers; Stars, Seeds, Signs, Ours; A Loud Green Dreaming.
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|a Ombigwewe Ozhaawaashkwaa Bwaajige/Anishinaabemowin Lesson 3Manidoo Giizhikens/Little Spirit Cedar Tree; Curatorial Statement on The Long Gallery; Author's Notes; A Note about the Art; Acknowledgments.
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|a "Heid E. Erdrich writes from the recent present into the future where human anxiety lives. Many of her poems engage ekphrasis around the visual work of contemporary artists who, like Erdrich, make art around concepts of survival and apocalypse and are also Anishinaabe. Poems in this collection curate unmountable exhibits in not-yet-existent museums devoted to the ephemera of communication and recent but archaic technology. Erdrich points to extraction industries on indigenous lands in poems that recognize how our love of technology threatens our future. Despite centuries of cummunications technology, people fail to understand one another, and yet these poems show faith in the keen human yearning to connect as they urge engagement of the image, the moment, the sensual, and the real."--Back cover.
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|a Description based on print version record.
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650 |
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7 |
|a American poetry.
|2 fast
|0 (OCoLC)fst00807348
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650 |
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|a POETRY
|x General.
|2 bisacsh
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650 |
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|a American poetry
|y 21st century.
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/49808/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2017 Complete
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945 |
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|a Project MUSE - 2017 Poetry, Fiction and Creative Non-Fiction
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