Cargando…
Beyond Boundaries : Rethinking Music Circulation in Early Modern England /
English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professiona...
| Otros Autores: | , , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_49719 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045150.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 170120s2017 inu o 00 0 eng d | ||
| 020 | |a 9780253024978 | ||
| 020 | |z 9780253024794 | ||
| 020 | |z 9780253024824 | ||
| 035 | |a (OCoLC)971246462 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Beyond Boundaries : |b Rethinking Music Circulation in Early Modern England / |c edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©[2017] | |
| 300 | |a 1 online resource (334 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music and the early modern imagination | |
| 505 | 0 | |a Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres. | |
| 505 | 0 | |a 5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England. | |
| 505 | 0 | |a 12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 520 | 8 | |a English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Musique |z Angleterre |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 6 | |a Musique |z Angleterre |y 18e siecle |x Histoire et critique. | |
| 650 | 6 | |a Musique |z Angleterre |y 17e siecle |x Histoire et critique. | |
| 650 | 6 | |a Musique |z Angleterre |y 16e siecle |x Histoire et critique. | |
| 650 | 0 | |a Music |z England |y 18th century |x History and criticism. | |
| 650 | 0 | |a Music |z England |y 17th century |x History and criticism. | |
| 650 | 0 | |a Music |z England |y 16th century |x History and criticism. | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Eubanks Winkler, Amanda, |e editor. | |
| 700 | 1 | |a Bailey, Candace, |d 1963- |e editor. | |
| 700 | 1 | |a Austern, Linda Phyllis, |d 1957- |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/49719/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 US Regional Studies, New England and Mid Atlantic | ||