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Moving Performances : Divas, Iconicity, and Remembering the Modern Stage /

Offering innovative theorizations of performance, reception, and affect, Moving Performances introduces readers to four remarkable divas from the early twentieth century-Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker-who worked as both cultural producers and critics, deftly sub...

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Detalles Bibliográficos
Autor principal: Scheper, Jeanne, 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, N.J. : Rutgers University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Scheper, Jeanne,  |d 1967-  |e author. 
245 1 0 |a Moving Performances :   |b Divas, Iconicity, and Remembering the Modern Stage /   |c Jeanne Scheper. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2016. 
300 |a 1 online resource (224 pages). 
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505 0 |a Introduction -- The color line is always moving: Aida Overton Walker -- Transnational technologies of orientalism: Loïe Fuller's invented repertoires -- Voices within the voice: aural passing and Libby Holman's deracinated/reracinated sound -- "Much too busy to die": Josephine Baker's diva iconicity -- Conclusion: diva remains. 
520 |a Offering innovative theorizations of performance, reception, and affect, Moving Performances introduces readers to four remarkable divas from the early twentieth century-Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker-who worked as both cultural producers and critics, deftly subverting the tropes of exoticism, orientalism, and primitivism commonly used to dismiss women of color. Scheper rejects iconic depictions of these divas as frozen in a past moment, and vividly demonstrates how their performances continue to inspire ongoing movements. 
588 |a Description based on print version record. 
650 7 |a Women in the performing arts.  |2 fast  |0 (OCoLC)fst01178042 
650 7 |a Women entertainers.  |2 fast  |0 (OCoLC)fst01177638 
650 7 |a Race relations.  |2 fast  |0 (OCoLC)fst01086509 
650 7 |a Performing arts  |x Social aspects.  |2 fast  |0 (OCoLC)fst01057933 
650 7 |a Performing arts  |x Political aspects.  |2 fast  |0 (OCoLC)fst01057918 
650 7 |a African Americans in the performing arts.  |2 fast  |0 (OCoLC)fst00799740 
650 7 |a African American women entertainers.  |2 fast  |0 (OCoLC)fst00799493 
650 7 |a HISTORY  |z United States  |y 20th Century.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Arts du spectacle  |x Aspect social  |z États-Unis  |y 20e siecle. 
650 6 |a Arts du spectacle  |x Aspect politique  |z États-Unis  |y 20e siecle. 
650 6 |a Femmes dans les arts du spectacle  |z États-Unis. 
650 6 |a Noirs americains dans les arts du spectacle. 
650 6 |a Femmes artistes du spectacle  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Femmes artistes du spectacle noires americaines  |x Histoire  |y 20e siecle. 
650 0 |a Performing arts  |x Social aspects  |z United States  |y 20th century. 
650 0 |a Performing arts  |x Political aspects  |z United States  |y 20th century. 
650 0 |a Women in the performing arts  |z United States. 
650 0 |a African Americans in the performing arts. 
650 0 |a Women entertainers  |z United States  |x History  |y 20th century. 
650 0 |a African American women entertainers  |x History  |y 20th century. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 6 |a États-Unis  |x Relations raciales  |y 20e siecle. 
651 0 |a United States  |x Race relations  |y 20th century. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Global Cultural Studies 
945 |a Project MUSE - 2017 American Studies