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|a 9780253028532
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|z 9780253337221
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|a (OCoLC)1016811420
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|a MdBmJHUP
|c MdBmJHUP
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|a Tarasti, Eero.
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|a Existential Semiotics /
|c Eero Tarasti.
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|a Bloomington :
|b Indiana University Press,
|c 2000.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©2000.
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|a 1 online resource (232 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Advances in semiotics
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|a Title Page; Copyright Page; Table of Contents; PREFACE; PART ONE Philosophical Reflections; 1 On the Paths of Existential Semiotics; 2 Signs and Transcendence; 3 Endo-/Exogenic Signs, Fields, and Worlds; 4 Understanding, Misunderstanding, and Self-Understanding; 5 Signs of Anxiety; or, The Problem of the Semiotic Subject; PART TWO In the Forest of Symbols; 6 From Aesthetics to Ethics SEMIOTIC OBSERVATIONS ON THE MORAL ASPECTS OF ARTS, ESPECIALLY MUSIC; 7 The ""Structural"" and ""Existential"" Styles in Twentieth-Century Arts; 8 On the Authenticity and Inauthenticity of Art.
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|a PART THREE The Social and Cultural Field of Signs9 On Post-colonial Semiosis; 10 Semiotics of Landscapes; 11 Poetics of Place (Particularly in Music); 12 Walt Disney and Americanness AN EXISTENTIAL-SEMIOTICAL EXERCISE; 13 "" . . and you find the right one"" A NARRATOLOGICAL ANALYSIS OF AN ADVERTISING FILM; 14 Senses, Values-and Media; INDEX.
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|a His theoretical ideas are illustrated with examples from high culture - painting, music, and literature - as well as from contemporary media and popular culture, including landscapes, gastronomy, novels, Walt Disney films, and post-colonial practices. Signs are examined in their interdisciplinary as well as their intertextual connections in this thoughtful collection of essays."--Jacket
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|a "Existential semiotics posits an a priori state of signs; it studies the ways in which signs are fixated into objective entities. Tarasti's work is hermeneutic and phenomenological, with its sources in Husserl, Schutz, Merleau-Ponty, Hegel, Schelling, Kierkegaard, Jaspers, and Heidegger. As a member of the Paris School of Semiotics (and following the lead of A.J. Greimas, in particular). Tarasti is seeking less-categorical, less-Cartesian approaches. He sees semiotics in transition, shift, rupture, and flux, something which is "becoming" rather than "being."
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|a Description based on print version record.
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650 |
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|a At-Zeichen
|2 gnd
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|a Philosophie
|2 gnd
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|a Semiotik
|2 gnd
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|a Kultursemiotik
|2 gnd
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|a Ästhetik
|2 gnd
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|a Semiotics
|x Philosophy.
|2 fast
|0 (OCoLC)fst01112356
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650 |
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|a PHILOSOPHY
|x Language.
|2 bisacsh
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650 |
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|a LANGUAGE ARTS & DISCIPLINES
|x General.
|2 bisacsh
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|a Semiotics
|x Philosophy.
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|a KunstWerk
|2 gnd
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/49417/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VI
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945 |
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|a Project MUSE - Archive Philosophy and Religion Supplement VI
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