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Decorum of the Minuet, Delirium of the Waltz : A Study of Dance-Music Relations in 3/4 Time /

Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the...

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Detalles Bibliográficos
Autor principal: McKee, Eric, 1961-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McKee, Eric,  |d 1961- 
245 1 0 |a Decorum of the Minuet, Delirium of the Waltz :   |b A Study of Dance-Music Relations in 3/4 Time /   |c Eric McKee. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2012. 
300 |a 1 online resource (272 pages):   |b illustrations. 
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337 |a computer  |b c  |2 rdamedia 
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490 0 |a Musical meaning and interpretation 
505 0 |a Influences of the early eighteenth-century ballroom minuet on the minuets from J.S. Bach's French suites, BWV 812-817 -- Mozart in the ballroom : minuet-trio contrast and the aristocracy in self-portrait -- The musical visions of Joseph Lanner and Johann Strauss Sr -- Dance and the music of Chopin : historical background -- The musical visions of Chopin -- Chopin's approach to waltz form. 
520 |a Much music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities--sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation [Publisher description]. 
588 |a Description based on print version record. 
650 7 |a Walzer  |2 gnd  |0 (DE-601)105259985 
650 7 |a Menuett  |2 gnd  |0 (DE-601)105409952 
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650 7 |a Menuett  |2 gnd 
650 7 |a Walzer  |2 gnd 
650 7 |a Waltzes.  |2 fast  |0 (OCoLC)fst01170245 
650 7 |a Minuet (Dance)  |2 fast  |0 (OCoLC)fst01023513 
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650 6 |a Menuet  |y 18e siecle. 
650 6 |a Valses  |y 18e siecle  |x Histoire et critique. 
650 0 |a Minuet (Dance)  |y 19th century. 
650 0 |a Waltzes  |y 19th century  |x History and criticism. 
650 0 |a Minuet (Dance)  |y 18th century. 
650 0 |a Waltzes  |y 18th century  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement VI