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O Let Us Howle Some Heavy Note : Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage /

"This book focuses on the various ways that theatrical music represented disorderly subjects - those who presented either a direct of metaphorical threat to the health of the English kingdom in seventeenth-century England. Using theater music to examine narratives of social history, she demonst...

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Detalles Bibliográficos
Autor principal: Eubanks Winkler, Amanda
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9780253027948 
020 |z 9780253348050 
035 |a (OCoLC)1016806412 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Eubanks Winkler, Amanda. 
245 1 0 |a O Let Us Howle Some Heavy Note :   |b Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage /   |c Amanda Eubanks Winkler. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2006. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2006. 
300 |a 1 online resource (248 pages):   |b illustrations, music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Music and the macrocosm : disorder and history -- "Stay, you imperfect speakers, tell me more" -- "Remember me, but ah, forget my fate" -- "O let us howle some heavy note" -- Disorder in the eighteenth century. 
520 1 |a "This book focuses on the various ways that theatrical music represented disorderly subjects - those who presented either a direct of metaphorical threat to the health of the English kingdom in seventeenth-century England. Using theater music to examine narratives of social history, she demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies."--Jacket 
588 |a Description based on print version record. 
600 1 7 |a Purcell, Henry.  |t Dido and Aeneas.  |2 swd 
600 1 0 |a Purcell, Henry,  |d 1659-1695.  |t Dido and Aeneas. 
650 7 |a Oper.  |2 idszbz 
650 7 |a Geschichte.  |2 idszbz 
650 7 |a Bühnenmusik.  |2 idszbz 
650 7 |a Theater  |2 gnd 
650 7 |a Oper  |2 gnd 
650 7 |a Bühnenmusik  |2 gnd 
650 7 |a Theater.  |2 fast  |0 (OCoLC)fst01149217 
650 7 |a Characters and characteristics in opera.  |2 fast  |0 (OCoLC)fst01046197 
650 7 |a Dramatic music.  |2 fast  |0 (OCoLC)fst00897546 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 6 |a Theâtre  |z Angleterre  |x Histoire  |y 17e siecle. 
650 6 |a Operas  |x Personnages. 
650 6 |a Musique de scene  |z Angleterre  |y 17e siecle  |x Histoire et critique. 
650 0 |a Theater  |z England  |x History  |y 17th century. 
650 0 |a Characters and characteristics in opera. 
650 0 |a Dramatic music  |z England  |y 17th century  |x History and criticism. 
630 0 7 |a Dido and Aeneas (Purcell, Henry)  |2 fast  |0 (OCoLC)fst01361161 
651 7 |a Grossbritannien.  |2 idszbz 
651 7 |a England.  |2 idszbz 
651 7 |a England  |2 gnd 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/49400/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VI 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement VI