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130805s2014 mdu o 00 0 eng d |
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|z 2013027717
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|a 9781421408392
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|z 9781421408385
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|z 9781421408378
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|a (OCoLC)965168304
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|a MdBmJHUP
|c MdBmJHUP
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|a Biesen, Sheri Chinen,
|d 1962-
|e author.
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|a Music in the Shadows :
|b Noir Musical Films /
|c Sheri Chinen Biesen.
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|a Baltimore :
|b The Johns Hopkins University Press,
|c 2014.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©2014.
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|a 1 online resource (224 pages):
|b illustrations ;
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The noir musical -- Preludes to the noir musical -- Blues in the night: the noir musical on the brink of World War II -- Smoky melodies: jazz noir musical drama -- Le rouge et le noir: from The red shoes to A star is born -- Dark musical melodrama: from Young at heart to West Side story -- The legacy of the noir musical.
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|a "Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting, and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view. As in her earlier study of film noir, Blackout: World War II and the Origins of Film Noir, Biesen draws on extensive primary research in studio archives to situate her examination within a historical, industrial, and cultural context"--Publisher description.
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|a Description based on print version record.
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650 |
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7 |
|a Film noir.
|2 sfit
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650 |
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7 |
|a Musikal, USA.
|2 sfit
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650 |
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7 |
|a Jazz in motion pictures.
|2 nli
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650 |
|
7 |
|a Film noir
|z United States
|x History and criticism.
|2 nli
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650 |
|
7 |
|a Motion picture music
|z United States
|x History and criticism.
|2 nli
|
650 |
|
7 |
|a Musical films
|z United States
|x History and criticism.
|2 nli
|
650 |
|
7 |
|a Jazz
|2 gnd
|
650 |
|
7 |
|a Musical
|2 gnd
|
650 |
|
7 |
|a Filmmusik
|2 gnd
|
650 |
|
7 |
|a Film noir
|2 gnd
|
650 |
|
7 |
|a Musical films.
|2 fast
|0 (OCoLC)fst01030715
|
650 |
|
7 |
|a Jazz in motion pictures.
|2 fast
|0 (OCoLC)fst00982204
|
650 |
|
7 |
|a Film noir.
|2 fast
|0 (OCoLC)fst00924273
|
650 |
|
6 |
|a Jazz au cinema.
|
650 |
|
6 |
|a Films noirs
|z États-Unis
|x Histoire et critique.
|
650 |
|
6 |
|a Films musicaux
|z États-Unis
|x Histoire et critique.
|
650 |
|
0 |
|a Jazz in motion pictures.
|
650 |
|
0 |
|a Film noir
|z United States
|x History and criticism.
|
650 |
|
0 |
|a Musical films
|z United States
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/49238/
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945 |
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|a Project MUSE - Custom Collection
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