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Sonic Space in Djibril Diop Mambety's Films /

The art of Senegalese director Djibril Diop Mambety's cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety'...

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Detalles Bibliográficos
Autor principal: Dima, Vlad (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dima, Vlad  |e author. 
245 1 0 |a Sonic Space in Djibril Diop Mambety's Films /   |c Vlad Dima. 
264 1 |a Bloomington :  |b Indiana University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (244 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a African expressive cultures 
505 0 |a Introduction: aural contexts -- Aural space and the sonic rack focus in Touki Bouki -- Flaneur, geography, and camera-flaneur in Badou boy and Contras' city -- Trauma and zombie narratives in Hyenes -- Voice(s) in Le franc and La petite vendeuse de soleil -- Gallery of film stills -- Conclusion: current contexts and legacies. 
520 8 |a The art of Senegalese director Djibril Diop Mambety's cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety's film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety's entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema. 
588 |a Description based on print version record. 
600 1 7 |a Diop Mambety, Djibril,  |d 1945-1998.  |2 fast  |0 (OCoLC)fst01897891 
600 1 0 |a Diop Mambety, Djibril,  |d 1945-1998  |x Criticism and interpretation. 
650 7 |a Sound in motion pictures.  |2 fast  |0 (OCoLC)fst01904742 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Cinema  |x Son. 
650 0 |a Sound in motion pictures. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - 2017 Film, Theater and Performing Arts