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160505s2016 inu o 00 0 eng d |
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|z 2016021399
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|a 9780253022097
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|z 9780253021991
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|a (OCoLC)948878941
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|a MdBmJHUP
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|a Stefaniak, Alexander,
|d 1983-
|e author.
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|a Schumann's Virtuosity :
|b Criticism, Composition, and Performance in Nineteenth-Century Germany /
|c Alexander Stefaniak.
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|a Bloomington :
|b Indiana University Press,
|c [2016]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2016
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|c ©[2016]
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|a 1 online resource (304 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Florestan among the revelers : postclassical virtuosity and Schumann's critique of pleasure -- Florestan's wine, Clara Wieck's spirit : postclassical virtuosity and poetic interiority -- Poetic showpieces in the cultivated salon -- Virtuosity and the rhetoric of the sublime -- Steps to Parnassus? : Schumann's equivocal work concept -- Festivals of the virtuoso priesthood : collaborating with Clara Schumann and Joseph Joachim.
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|a Considered one of the greatest composers'and music critics'of the Romantic era, Robert Schumann (1810'1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western "art music" well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
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|a English.
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|a Description based on print version record.
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|a Schumann, Robert,
|d 1810-1856.
|2 fast
|0 (OCoLC)fst00000105
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|a Schumann, Robert,
|d 1810-1856
|x Influence.
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|a Virtuosity in musical performance.
|2 fast
|0 (OCoLC)fst01733805
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|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
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|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484
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|a MUSIC
|x Individual Composer & Musician.
|2 bisacsh
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|a MUSIC
|x Reference.
|2 bisacsh
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a Virtuosite
|x Histoire
|y 19e siecle.
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|a Virtuosity in musical performance
|x History
|y 19th century.
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|a Music
|z Germany
|y 19th century
|x Philosophy and aesthetics.
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|a Virtuosity in musical performance
|z Germany
|x History
|y 19th century.
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651 |
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|a Germany.
|2 fast
|0 (OCoLC)fst01210272
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/49096/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2016 Complete
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|a Project MUSE - 2016 History
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