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Jazz Religion, the Second Line, and Black New Orleans, New Edition : After Hurricane Katrina /

An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of seco...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Turner, Richard Brent (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2016
Edición:New edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Turner, Richard Brent,  |e author. 
245 1 0 |a Jazz Religion, the Second Line, and Black New Orleans, New Edition :   |b After Hurricane Katrina /   |c Richard Brent Turner. 
250 |a New edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2016 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©2016 
300 |a 1 online resource (236 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages 175-188) and index. 
505 0 |a Preface -- Introduction to the new edition -- Introduction : follow the second line -- 1. The Haiti-New Orleans vodou connection : Zora Neale Hurston as initiate observer -- 2. Mardi Gras Indians and second lines, sequin artists and rara bands : street festivals and performances in New Orleans and Haiti -- Interlude the healing arts of African diasporic religion -- 3. In rhythm with the spirit : New Orleans jazz funerals and the African diaspora -- Epilogue a jazz funeral for "a city that care forgot" : the New Orleans diaspora after Hurricane Katrina. 
506 |a Access restricted to authorized users and institutions. 
520 |a An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines--the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans's jazz street parades. Here music and religion interplay, and Turner's study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance. 
588 |a Description based on print version record. 
650 0 |a African Americans  |z Louisiana  |z New Orleans  |x Music  |x History and criticism. 
650 0 |a Jazz  |x Religious aspects  |x Voodooism. 
650 0 |a Jazz  |z Louisiana  |z New Orleans  |x History and criticism. 
650 0 |a Jazz  |x Religious aspects. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9780253024947 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/49093/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 US Regional Studies, South