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Descended from Hercules : Biopolitics and the Muscled Male Body on Screen /

Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s. Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero...

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Detalles Bibliográficos
Autor principal: Rushing, Robert A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rushing, Robert A.,  |e author. 
245 1 0 |a Descended from Hercules :   |b Biopolitics and the Muscled Male Body on Screen /   |c Robert A. Rushing. 
264 1 |a Bloomington :  |b Indiana University Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (224 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a New directions in national cinemas 
505 0 |a Introduction: a peplum genealogy -- Nos morituri: time in the peplum -- Pre/post: sexuality in the peplum -- Skin flicks: the haptic peplum -- Immune systems: the peplum as biopolitical genre -- Conclusion: biopolitical fantasy -- Filmography. 
520 |a Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s. Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero's body in a world that is lavishly eroticized but without sexual desire. These"sword and sandal" films represent a century-long cinematic biopolitical intervention that offers the spectator an imagined form of the male body'one free of illness, degeneracy, and the burdens of poverty'that defends goodness with brute strength and perseverance, and serves as a model of ideal citizenry. Robert A. Rushing traces these epic heroes from Maciste in Cabiria in the early silent era to contemporary transnational figures like Arnold Schwarzenegger in Conan the Barbarian, and to films such as Zach Snyder's 300. Rushing explores how the very tactile modes of representation cement the genre's ideological grip on the viewer. 
588 |a Description based on print version record. 
650 7 |a Peplum films.  |2 fast  |0 (OCoLC)fst01057488 
650 7 |a Masculinity in motion pictures.  |2 fast  |0 (OCoLC)fst01011041 
650 7 |a Human body in motion pictures.  |2 fast  |0 (OCoLC)fst01899764 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Peplums (Cinema)  |x Histoire et critique. 
650 6 |a Corps humain au cinema. 
650 6 |a Masculinite au cinema. 
650 0 |a Peplum films  |x History and criticism. 
650 0 |a Human body in motion pictures. 
650 0 |a Masculinity in motion pictures. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/49080/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Global Cultural Studies