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Paul Thomas Anderson /

Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will...

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Detalles Bibliográficos
Autor principal: Toles, George E. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Toles, George E.  |e author. 
245 1 0 |a Paul Thomas Anderson /   |c George Toles. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (216 pages). 
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490 0 |a Contemporary film directors 
505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Note to the Reader; Words and Music: The Magnolia Crisis; Wise Up; The Sledgehammer of Eros in Punch-Drunk Love; The Trail of the Ellipsis in There Will Be Blood; Form and Formlessness in The Master; Notes; Composite Interview; Filmography; Bibliography; Index. 
520 8 |a Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will Be Blood' as a key film of the new millennium. In 'The Master', Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence and the production of the unaccountable. 
588 |a Description based on print version record. 
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650 0 |a Motion picture producers and directors  |z United States  |v Biography. 
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