Tabla de Contenidos:
  • Introduction: literary production and cultural democracy
  • Chilean literary culture since 1970: a panorama
  • Ergo sum: self-publication and the book-object under dictatorship
  • Cartonera publishers: artisanal and industrial book production in neoliberal Chile
  • Libros de mentira: fake books, digital matter, and cultural democracy 2.0
  • Santiago en 100 palabras: mass literature, cultural sponsorship, and globalization
  • Conclusion: rethinking the field of cultural production: cultural agency, minority literature, and cultural studies scholarship
  • Afterword: feminist research and pedagogy as forms of craft.