Cargando…
Relating to Rock Art in the Contemporary World : Navigating Symbolism, Meaning, and Significance /
"Rock art is considered an archaeological artifact reflecting activities from the past, it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Challenging traditional ways of thinking about this recognizable form of visual heritage and...
| Otros Autores: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boulder :
University Press of Colorado,
2016.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_48868 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905045058.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 160523s2016 cou o 00 0 eng d | ||
| 020 | |a 9781607324980 | ||
| 020 | |z 9781607324973 | ||
| 020 | |z 9781607327790 | ||
| 035 | |a (OCoLC)962436685 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Relating to Rock Art in the Contemporary World : |b Navigating Symbolism, Meaning, and Significance / |c edited by Liam M. Brady and Paul S.C. Taçon. |
| 264 | 1 | |a Boulder : |b University Press of Colorado, |c 2016. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 1 online resource (384 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |t The place of rock art in the contemporary world / |r Paul S.C. Taçon and Liam M. Brady -- |t A fabricated past? The case of Nyero Rock art site, Kumi District, Uganda / |r Catherine Namono -- |t "What rock art?" Stories from Northeast Thailand / |r Noel Hidalgo Tan, Atthasit Sukkham, Gemma Boyle, Watinee Tanompolkrang, Jutinach Bowonsachoti, and Duangpond Singhaseni -- |t What the places teach us : challenges for cultural tourism and indigenous stewardship of rock art sites in the North American midcontinent / |r John Norder and Dagmara Zawadzka -- |t "That painting now is telling us something" : negotiating and apprehending contemporary meaning in Yanyuwa rock art, Northern Australia / |r Liam M. Brady and John J. Bradley -- |t Parks, petroglyphs, fish, and Zuni : an emotional geography of contemporary human-animal-water relationships / |r Kurt E. Dongoske and Kelley Hays-Gilpin -- |t Rock art in South African society today / |r Benjamin W. Smith -- |t Inscribing history : the complex geographies of Bedouin tribal symbols in the Negev Desert, Southern Israel / |r Davida Eisenberg-Degen, George H. Nash and Joshua Schmidt -- |t Land/people relationships and the future of rock art in the Laura Basin, Northeastern Australia / |r Noelene Cole -- |t From science to heritage : new challenges for world heritage rock art sites in Mediterranean Spain in the 21st century / |r Ines Domingo and Manuel Bea -- |t Rock art, cultural change, the media and national heritage identity in the 21st century / |r Paul S.C. Taon -- |t Teaching and learning about rock art in Argentina / |r Dánae Fiore, Marianna Ocampo and Agustín Acevedo -- |t Recent art history in rock country : bark painters inspired by rock paintings / |r Luke Taylor -- |t Marks and meeting grounds / |r Ursula K. Frederick -- |t Establishing new ground : reflexive/reflective thinking and plotting a future for studying rock art in contemporary contexts / |r Liam M. Brady and Paul S.C. Taçon. |
| 520 | |a "Rock art is considered an archaeological artifact reflecting activities from the past, it is also a phenomenon with present-day meaning and relevance to both indigenous and non-indigenous communities. Challenging traditional ways of thinking about this recognizable form of visual heritage and providing insight into its contemporary significance"--Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Rock paintings. |2 fast |0 (OCoLC)fst01099256 | |
| 650 | 7 | |a Indigenous art. |2 fast |0 (OCoLC)fst01741814 | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 6 | |a Art autochtone. | |
| 650 | 0 | |a Rock paintings. | |
| 650 | 0 | |a Indigenous art. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Brady, Liam M., |d 1978- |e editor. | |
| 700 | 1 | |a Taçon, Paul S. C. |q (Paul Stephen Charles), |d 1958- |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/48868/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Native American and Indigenous Studies | ||
| 945 | |a Project MUSE - 2016 Archaeology and Anthropology | ||
| 945 | |a Project MUSE - 2016 Complete | ||