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New Approaches to Gone With the Wind /
Since its publication in 1936, Gone with the Wind has held a unique position in American cultural memory, both for its particular vision of the American South in the age of the Civil War and for its often controversial portrayals of race, gender, and class. New Approaches to "Gone with the Wind...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baton Rouge :
Louisiana State University Press,
[2015]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- James A. Crank / Introduction. Too big to fail?
- Amy Clukey / Pop plantations: Gone with the wind and the Southern imaginary in Irish culture
- Mark C. Jerng / Reconstructions of racial perception: Margaret Mitchell's and Frank Yerby's plantation romances
- Jessica Sims / "Just like one of the darkies": the birth of racial difference in Gone with the wind
- James A. Crank / Queer winds
- Deborah Barker / Reconstructing Scarlett and the economy of rape in Gone with the wind
- Daniel Cross Turner and Keaghan Turner / Why Gone with the wind isn't: the contemporary blowback
- Charlene Regester / "I will carry your guilty secret to my grave": Scarlett O'Hara and Rhett Butler as embodiments of blackness
- Riche Richardson / Artistically re-creating and reimagining Mammy, Rhett, and Scarlett
- Helen Taylor / A transatlantic afterword: the British Gone with the wind.