Cargando…

John Lewis and the Challenge of "Real" Black Music /

For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. Christopher Coady explores the work ofone of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions...

Descripción completa

Detalles Bibliográficos
Autor principal: Coady, Christopher, 1980- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_48463
003 MdBmJHUP
005 20230905045034.0
006 m o d
007 cr||||||||nn|n
008 160614s2016 miu o 00 0 eng d
010 |z  2016027223 
020 |a 9780472122264 
020 |z 9780472053209 
020 |z 9780472073207 
035 |a (OCoLC)960976672 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Coady, Christopher,  |d 1980-  |e author. 
245 1 0 |a John Lewis and the Challenge of "Real" Black Music /   |c Christopher Coady. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (253 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Jazz perspectives 
505 0 |a Introduction ; 1. Branching Out: The Great Era of Venue Creation ; 2. "Bearded Undertakers": Rhythm and Reputation ; 3. "Finesse, Precision, and Logic": Musical Traditions and the African American Elite ; 4. Composition in Context: Lewis and the MJQ, 1952-62. 
505 0 |a 5. Lewis and Film Noir 6. "Real" Black Music ; Appendixes ; Appendix A: Formal Outlines of Selected Works ; Appendix B: Sait-on jamais (1957) Soundscape ; Appendix C: Odds against Tomorrow (1959) Soundscape ; Notes ; Bibliography ; Scores ; Filmography ; Index. 
520 8 |a For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. Christopher Coady explores the work ofone of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions to his leadershipof the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz. Along the way Coady shows how Lewis's fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazzand Third Stream music more broadly. 
588 |a Description based on print version record. 
600 1 7 |a Lewis, John,  |d 1920-2001.  |2 fast  |0 (OCoLC)fst00078689 
600 1 0 |a Lewis, John,  |d 1920-2001  |x Criticism and interpretation. 
610 2 7 |a Modern Jazz Quartet.  |2 fast  |0 (OCoLC)fst00575448 
610 2 0 |a Modern Jazz Quartet. 
650 7 |a Third stream (Music)  |2 fast  |0 (OCoLC)fst01740809 
650 7 |a Music and race.  |2 fast  |0 (OCoLC)fst01030486 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 6 |a Jazz  |y 1941-1950  |x Histoire et critique. 
650 6 |a Jazz  |y 1951-1960  |x Histoire et critique. 
650 6 |a Musique et race  |z États-Unis  |x Histoire  |y 20e siecle. 
650 0 |a Third stream (Music)  |x History and criticism. 
650 0 |a Jazz  |y 1941-1950  |x History and criticism. 
650 0 |a Jazz  |y 1951-1960  |x History and criticism. 
650 0 |a Music and race  |z United States  |x History  |y 20th century. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/48463/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts 
945 |a Project MUSE - 2016 American Studies