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Imperfect Fit : Aesthetic Function, Facture, and Perception in Art and Writing since 1950 /
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tuscaloosa :
University of Alabama Press,
[2016]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- List of Illustrations; Acknowledgments; The New Complexity: A Foreword by Pierre Joris; Preface: A Conversation with Allen Fisher Conducted by Paige Mitchell and Shamoon Zamir; Introduction; 1. Confidence in Lack: Logic, Coherence, and Damage; 2. Testing and Experimenting: A Personal View of Aesthetic Practice and Reception; 3. Necessary Business: Aesthetics and Patterns of Connectedness: Reading Works by cris cheek, Eric Mottram, and J.H. Prynne; 4. Integration and Disintegration in the Work of R.B. Kitaj.
- 5. Poetry and Performance: Facture and Reader Participation in Performance: Aspects of Charles Olson's Poetic Practice6. Breaks Margin: Postmodernism as Package and Resistance against It in the Work of Harry Thubron and Ulli Freer; 7. The Crowd: Momentum, Energy, and the Work of Cy Twombly; 8. Monuments to the Future: Social Resonance through the Work of Joseph Beuys; 9. Engaged Damage in the Work of William S. Burroughs; 10. Traps or Tools and Damage: Inventive Perception and Transformation; Notes; Bibliography; Index.