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Categorizing Sound : Genre and Twentieth-Century Popular Music /

"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? Aft...

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Detalles Bibliográficos
Autor principal: Brackett, David (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brackett, David,  |e author. 
245 1 0 |a Categorizing Sound :   |b Genre and Twentieth-Century Popular Music /   |c David Brackett. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2016 
264 4 |c ©[2016] 
300 |a 1 online resource (376 pages):   |b illustrations, music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion. 
520 |a "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
650 6 |a Genres de musique populaire  |x Aspect social  |z États-Unis. 
650 6 |a Musique populaire  |z États-Unis  |x Histoire et critique. 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a MUSIC  |x Genres & Styles  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 0 |a Popular music  |z United States  |x History and criticism. 
650 0 |a Popular music genres  |x Social aspects  |z United States. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/48357/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2016 Complete 
945 |a Project MUSE - 2016 Film, Theater and Performing Arts