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Making New Music in Cold War Poland : The Warsaw Autumn Festival, 1956-1968 /
'Making New Music in Cold War Poland' presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press,
[2017]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
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| 008 | 160524t20172017cau o 00 0 eng d | ||
| 010 | |z 2016024282 | ||
| 020 | |a 9780520966031 | ||
| 020 | |z 0520966031 | ||
| 020 | |z 9780520292543 | ||
| 035 | |a (OCoLC)950611507 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Jakelski, Lisa, |d 1978- |e author. | |
| 245 | 1 | 0 | |a Making New Music in Cold War Poland : |b The Warsaw Autumn Festival, 1956-1968 / |c Lisa Jakelski. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2017] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2016 | |
| 264 | 4 | |c ©[2017] | |
| 300 | |a 1 online resource (222 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a California studies in 20th-century music | |
| 505 | 0 | |a Introduction -- The sounds of revolution? -- Building an empty frame -- A raucous education -- From Warsaw to the world -- Mobilizing performers, scores, and avant-gardes -- The limits to exchange -- Epilogue. | |
| 520 | 8 | |a 'Making New Music in Cold War Poland' presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music festivals. |2 fast |0 (OCoLC)fst01030529 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 6 | |a Festivals de musique |z Pologne |z Varsovie. | |
| 650 | 0 | |a Music |z Poland |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music festivals |z Poland |z Warsaw. | |
| 651 | 7 | |a Poland |z Warsaw. |2 fast |0 (OCoLC)fst01204515 | |
| 651 | 7 | |a Poland. |2 fast |0 (OCoLC)fst01206891 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/48347/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2016 Complete | ||
| 945 | |a Project MUSE - 2016 Film, Theater and Performing Arts | ||