Russian Music at Home and Abroad : New Essays /
"This collection views Russian music through the Greek triad of 'the Good, the True, and the Beautiful' to investigate how the idea of 'nation' embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our di...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Oakland, California :
University of California Press,
[2016]
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: my wonderful world; or, dismembering the triad
- Non-nationalists and other nationalists
- Revenants
- Crowd, mob, and nation in Boris Godunov: what did Musorgsky think, and does it matter?
- Catching up with Rimsky-Korsakov
- Not modern and loving it
- Written for elephants: notes on Rach 3
- Is there a "Russia abroad" in music?
- Turania revisited, with Lourie my guide
- The ghetto and the imperium
- Two serendipities: keynoting a conference, "Music and power"
- What's an awful song like you doing in a nice piece like this? The finale in Prokofieff's Symphony-concerto, op. 125
- The birth of contemporary Russia out of the spirit of music (not)
- * * *
- Just how Russian was Stravinsky?
- How the rite became possible
- Diaghilev without Stravinsky? Stravinsky without Diaghilev?
- Resisting the Rite
- Stravinsky's poetics and Russian music
- Did he mean it?
- In Stravinsky's songs, the true man, no ghostwriters
- "Un cadeau tres macabre".